Surrounded by the works in Father Figures Are Hard to Find, fifty or so attendees sat on the concrete floor of neue Gesellschaft für bildende Kunst (nGbK), awaiting the lecture–performance Da Da Daddy Hasselhof by Mysti, who appeared in drag, wearing a cascading blonde wig and bright halter and miniskirt combo. Her academic talk began with a slow-building critique of object-making and market-driven aesthetics, and[…..]