Do Ho Suh’s Rubbing/Loving Project: 348 West 22nd Street, Apt. A, New York NY 10011, is a personal project of love and memory, but in the end it denies the viewer the access to the artist’s interiority that it seems to promise. Currently on display at the Chelsea outpost of Lehmann Maupin, the work records the artist’s former New York apartment through a series of painstakingly[…..]
Alex Prager’s first exhibition at Lehmann Maupin makes a blood pact with the myth of cinema. The gallery’s downtown location hosts large-format stills from Prager’s newest film, A Face in the Crowd, alongside highly staged photographs taken from slightly different angles than those represented in the film. Lehmann Maupin’s Chelsea gallery features more of these beautifully rendered, high-quality stills, as well as a viewing room[…..]
Tracey Emin’s work presents an unfiltered and often embarrassingly personal view of emotional pain. It reflects the kind of desperate or careless narcissism that is the territory of the depressed. Emin is concerned with the primacy of her own experience—and the narrative of her own sadness is the unabashed subject of her work. Emin’s oeuvre has always felt most valuable to me in terms of[…..]
As part of our ongoing partnership with Flavorwire, Daily Serving is sharing Rozalia Jovanovic’s preview of Juergen Teller’s latest exhibition at Lehmann Maupin in New York. Just in time for New York Fashion Week, Juergen Teller, the German-born photographer most known for his cheeky refusal to keep his ad campaigns for designers like Helmut Lang, Yves Saint Laurent, Vivienne Westwood, and Marc Jacobs distinct from his[…..]
