Though the fields obviously aren’t mutually exclusive, technology and art have shared a love-hate relationship through the ages. At moments adversarial, art puritans fear drastic change in the application of new technologies to art disciplines, and staunch technologists fear a contamination of science by ‘softer’ art practices. However, at their most collegiate, art benefits from the potential of new technologies to both alter people’s perceptive[…..]

Johan Grimonprez, still from Dial H-I-S-T-O-R-Y (1997). 68 minutes.

Each month, DailyServing selects two artists to be featured in our Fan Mail series.  If you would like to be considered, please submit to info@dailyserving.com a link to your website with ‘Fan Mail’ in the subject line.  Keep checking the site – you could be the next artist featured! For this edition of Fan Mail, Austin, TX based artist Amy Revier has been chosen from[…..]

In Parasol unit’s latest exhibition, Yinka Shonibare, Yang Fudong, Shirin Neshat and Christodoulos Panayiotou prove that they do know something about love as their visually seductive works tell tales of l’amour ripe with romance and nostalgia. I Know Something About Love reads as a gushing four-verse love poem to love itself – an extended visual sonnet that unfolds in time and space, instilling optimism, hope[…..]

The Armory Show shares its name with its historically significant predecessor following a brief stint at the same 69th Regiment Armory.  While today’s Armory Show is now in its twelfth year and situated on expansive piers along the Hudson River, it no doubt benefits from association with the formative 1913 International Exhibition of Modern Art.  However, positioned within a global art context that is increasingly[…..]

More Failure More!!! -This week’s series on Failure falls in line with our previous rounds on Myth, Utopia and Rebellion. Stay tuned as we attempt to succeed this week with 6 more articles on Failure… FORCE OF FAILURE: DailyServing’s latest week-long series Lynda Benglis is a fearless artist. She added a much-needed sense of humor to first-generation feminism and imbued late 1960s/early ‘70s Post-Minimal sculpture[…..]

Laurel Nakadate’s work uses unassuming means to memorable effect. Oops! (2000) is a video of a young woman in a tank top and tight jeans dancing a choreographed routine while a man in late middle age dances (or stands) awkwardly beside her. It is mesmerizing in its ambiguity: is she making fun of the man? Which one is being exploited? Beg for Your Life (2006)[…..]