Video / Film

When Rock Star Fantasies Go Too Far

This post was originally written for Art21.org and published on October 25, 2012. When photographer Laura London’s show opened at Coagula Curatorial in Chinatown last month, it was called Once Upon a Time…Axl Rose was my Neighbor. By the time it closed on October 20, its title had been cut down to just Once Upon a Time… and all direct reference to Axl Rose, famous[…..]

Ooga Booga at Kadist Foundation

San Francisco/Paris- based Kadist Art Foundation is launching a new and exciting project featuring a series of video books. The Kadist foundation, in San Francisco, is currently hosting Ooga Booga, a Los Angeles mixed media “bookstore” as a pop-up project. Ooga Booga was founded in 2004 by Wendy Yao as a broadly defined bookstore. “Bookstore” does not adequately describe the space as it not only[…..]

Fan Mail: Dennis Neuschaefer-Rube

Hollywood Ending

For this edition of Fan Mail, Dennis Neuschaefer-Rube of Bielefeld, Germany has been selected from our worthy reader submissions. Two artists are featured each month—the next one could be you! If you would like to be considered, please submit your website link to info@dailyserving.com with ‘Fan Mail’ in the subject line. Dennis’s “stilled film” projects are exercises in visualizing the art of filmmaking—-charting changes in[…..]

Tales of the City

'Roni Horn, 'This is me, this is you' (1998/2000) detail from installation of 12 photographs. ©Roni Horn, courtesy Hauser & Wirth, Zürich & London. Presented by the Art Fund under Art Fund International

Across a two-year period beginning from 1998, Roni Horn took photographs of her niece Georgia, that are on show in an installation at the Gallery of Modern Art (GoMA) in Glasgow. A set of prints are placed on one side of a wall, seeming to trace a path of growth as Georgia adopts a different hairstyle, posture, and way of expressing herself to the camera.[…..]

Film vs. Digital: Why the “vs.”?

Malcolm Le Grice, "Berlin Horse" (1970), still from a multi-projection film

A lively, critic-to-critic dialogue published recently in The New York Times[i] left me pondering over the persistently blinkered nature of so much “digital age” discourse on film.  Moving imagery has long been implicated and explored in and across myriad cultural and creative contexts, yet the breadth, depth, and diversity of filmic practice has been, and continues to be, belied by a narrow focus on commercial[…..]

The Good, The Bad, and The Temporary

_MG_0988

“The temporary” might seem like a neutral concept, but in reality it is ideologically loaded. Depending on the context (and on the social class of the speaker), temporary work and temporary dwelling might mean either insecurity and precarity–or flexibility and dynamism. How are some of San Francisco’s city officials planning to lure young innovators and entrepreneurs, for instance? By allowing developers to build 220-square foot[…..]

I am not there and I am not here

Jamelie Hassan, At the Far Edge of Words continues to October 14 at the Museum of Contemporary Canadian Art, 952 Queen Street West, Toronto, Ontario.

Although difficult to generalize, a common theme ties together the exhibitions currently on view at the Museum of Contemporary Canadian Art (MOCCA) and the Art Gallery of York University (AGYU). “At the Far Edge of Words” and “Imaginary Homelands” engage on some level, with the complex reflections of the artists cultural identity in relation to their exchanges with western culture, concepts of otherness, and navigating the[…..]