DailyServing.com selects two notable artists each month from the submissions we receive to be featured in our series, Fan Mail. For a chance to have your work appear below, with an article written by one of the DailyServing contributors, please submit a link to your website to info@dailyserving.com, subject: Fan Mail. You could be the next artist in the series! (We will try to contact chosen artists prior to[…..]
DailyServing.com selects two notable artists each month from the submissions we receive to be featured in our series, Fan Mail. For a chance to have your work appear below, with an article written by one of the DailyServing contributors, please submit a link to your website to info@dailyserving.com, subject: Fan Mail. You could be the next artist in the series! (We will try to contact chosen artists prior to[…..]
Encapsulating topics as grand as performativity and vulnerability in visual art often leaves the viewer unsatisfied. So often, concepts such as these are over-thought and over-articulated, but in Tammy Rae Carland‘s Funny Face, I Love You, this couldn’t be further from the truth. In her latest exhibition at Silverman Gallery in San Francisco, Carland takes on the role of the comedian, one could argue the[…..]
L.A. Expanded: Notes from the West Coast A weekly column by Catherine Wagley Alberto Burri spent life rejecting—rejecting roles, rules, materials, explanations, nationalities, natural trajectories. The Italian artist went to Africa as a doctor in the 1940s, but ended up a prisoner of war in Texas. He abandoned medicine, took up painting, and returned to Rome upon his release, becoming an Arte Povera practitioner before[…..]
Today on DS, we bring you an article from our friends at DaWire. Carla Acevedo takes a look at Dan Colen’s controversial new show at Gagosian Gallery’s 24th Street space. The most talked about and controversial show of the New York City Fall season: Dan Colen’s inaugural solo debut at Gagosian titled Poetry. Walking around Chelsea during the opening weeks of the season, it was[…..]
The listlessness of people waiting in an emergency waiting room contrasts discomfortingly with the gruesomeness of the chunks of human flesh appearing as fresh meat and liberal washes of red. This work is from one of Zeng Fanzhi’s earliest series, known as the “Hospital” series, markedly influenced by German Expressionism and its manifestation of society’s anxieties and decadence, as studied during his formative years at[…..]
Today’s article is from our friends at Art Practical, where Michele Carlson discusses the new traveling survey exhibition by Leo Villareal at the San Jose Museum of Art. It’s hard to know where to look upon entering Leo Villareal’s exhibition. Light literally dances on every wall and even on the ceiling—the blinking lights bridge the many large light sculptures and installations, melting the exhibition space[…..]
