Photography

Paul Thek – ‘If you don’t like this book you don’t like me.’

As part of the Glasgow International Festival of Visual Art, approaches to translate the subjective experience into the artistic process were explored in In the Shadow of the Hand and Back to the Things Themselves. Questions were raised on the nuances and distinctions between notions of the subjective, personal and self-indulgent. These borders disintegrate in the exhibition Paul Thek – ‘If you don’t like this[…..]

Back to the Things Themselves

Back to the Things Themselves, on show at The Briggait, presents artworks by Lesley Punton (LP) and Judy Spark (JS) who both explore possibilities and limits of translating one’s lived experience of the environment, and the potential for connections between a subjective experience with universal ways of knowing the world. Magdalen Chua (MC) had a conversation with Punton and Spark, as a second part of[…..]

Stephanie Washburn’s “Twice Told”

Stephanie Featured

What makes a tale “twice told”? For Nathaniel Hawthorne, who published a collection called Twice Told Tales, these were stories that had already lived one life by having been previously printed.  And for William Shakespeare, who coined the phrase, a “twice-told tale” was the most tedious tale of the lot, borrowed and uninspired. Shakespeare, however, had not met Stephanie Washburn. In the case of Washburn’s[…..]

The Captain Has Turned On the Fasten Seatbelts Sign

KFI

The thing about traveling on an airplane is that we take for granted how phenomenally absurd it is. There we sit, unfazed, hurdling through space at 500 miles per hour, 30,000 feet above the ground in a metal tube, surrounded by complete strangers whom in all likelihood we will never see again. There is also the unspoken airplane etiquette that we all hope the stranger[…..]

Gillian Wearing Wearing a Mask of Gillian Wearing

Gillian Wearing, Dancing in Peckham, 1994, Colour video with sound, 25 min. Courtesy of the Artist; Maureen Paley, London.

British-born photo, video and performance-based artist Gillian Wearing is best known for bringing home the 1997 Turner prize and her series of direct street portraits, Signs that say what you want them to say and not Signs that say what someone else wants you to say (1992-3). At London’s Whitechapel Gallery, the artist presents a fascinating collection of honest, if not creepy, portraits in an[…..]

#Hashtags: “Homes with Swimming Pools”

Hockney FI

#Hashtags provides a platform for longer reconsiderations of artworks and art practices outside of the review format and in new contexts. Please send queries and/or ideas for future to hashtags@dailyserving.com. The New York City Department of Education drew all kinds of mockery last week after someone leaked a list of 50-plus banned words off of one of its Request for Proposals (RFP).[1] In this case,[…..]

Fan Mail: Jennifer Loeber

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For this edition of Fan Mail, Brooklyn based photographer Jennifer Loeber has been selected from a group of worthy submissions. If you would like to be considered, please submit to info@dailyserving.com a link to your website with ‘Fan Mail’ in the subject line. One artist is featured each month—the next one could be you! For me, Jennifer Loeber’s new body of work – Cruel Story of Youth[…..]