Painting

Weaving, Not Cloth: Mark Bradford

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The difficulty in viewing photographs of artwork is that the camera flattens the object in its focus, relinquishing subtleties in order to capture a whole. Because his oeuvre is very subtle indeed, Mark Bradford’s work requires a viewer’s presence to be fully appreciated. Very little of the slender lines of collage, delicate papers built up in thin layers or washes of paint almost completely sanded[…..]

Rithika Merchant

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Walking in Barcelona’s Espai B Galeria, Rithika Merchant‘s playful yet precise lines are immediately captivating. She depicts creatures that are humanoid in flat and floating world. Her repetitious line is used to build up pattern and fill in form rather than rendering them in space. Her large drawings are made on sheets of paper set in a grid or geometric design that symmetrically break apart[…..]

Ill Form and Void Full: New Work by Laura Letinsky at MCA Chicago

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Laura Letinsky is a master at having it both ways. She photographs messes that are exquisitely tidy. She uses white like a color. She presents endings in a moment when they are still new, still vibrating with just spent energy. She captures objects as images and images as objects. She makes decay look gorgeous. Letinsky is known for her artfully arranged still life photographs of[…..]

The 2012 DeCordova Biennial

Steve-Lambert

There is always someone who is offended by every biennial. They are inherently two-headed beasts, with the introspective head judging the strengths and weaknesses of a portion of the art world, while the extroverted head optimistically presents a narrative, declaring why the included artists are notable. For this year’s DeCordova Biennial, curators Dina Deitsch and Abigail Ross Goodman followed tradition by programming a regional Biennial[…..]

Terry Winters: Cricket Music, Tessellation Figures & Notebook

Terry Winters, Tessellation Figures (6), 2011

Comprised within two of Matthew Marks Gallery’s Chelsea locations, Cricket Music, Tessellation Figures & Notebook presents Terry Winters’ most recent paintings and collages to make their debut in the United States. In an impressive selection of 14 large-scale paintings, Winters’ patterned canvases display brilliantly pigmented tessellations in an array of lattice structures. Also working from a fascination with knot theory, the works posses a lyrical[…..]

Blinded by the Hype: A Spotty Affair

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From the very beginning, Damien Hirst: The Complete Spot Paintings 1986-2011, was always going to be the target of much contempt. An embodiment of savvy self-promotion, Damien Hirst has become the world’s richest living artist, and with that, a scapegoat for the pompous market and inflated celebrity status representing all that is wrong with contemporary art today. This latest publicity stunt – a gargantuan worldwide[…..]

Memoria (Memory): Bibiana Suárez at Hyde Park Art Center

(L t R): Bibiana Suárez. Aves raras (mexicanos) no. 1 / Strange Birds (Mexicans) no. 1, 2005-2011; archival inkjet print on aluminum panel (map courtesy of the University of Chicago’s Special Collections); 24 x 24 in.  Bibiana Suárez. Aves raras (mexicanos) no. 2 / Strange Birds (Mexicans) no. 2, 2005-2011; archival inkjet print (map courtesy of the University of Chicago’s Special Collections); 24 x 24 in.

2012 has arrived and it can mean only one thing: the apocalypse. Will the End Times be ushered in by the Mesoamerican Long Count Calendar reaching its end date? We can’t be sure until late December! What has become painfully certain, however, is that we are in an election year. And, while the economy looms large on the minds of most Americans, immigration is not[…..]