Articles

Spotlight: Art Practical

Ana Mendieta. Creek, 1974 (still); Super 8 film, silent.

This summer, Daily Serving is shining a light on some arts publications that we regularly read and love. We’re excited to partner with publications such as Reorient, ARTS.BLACK, Contemptorary, and others, and will highlight the work of a different site each week. To begin, we’re proud to shine our light on some recent work at our sister site, Art Practical. Today we bring you Anne Lesley Selcer’s essay “What Imaginary[…..]

Loud. Black. Resident Part I: In Conversation with Dr. Omi Osum Joni L. Jones

dr-jones

Today from our friends at ARTS.BLACK we bring you Arielle Julia Brown’s interview with Dr. Omi Osum Joni L. Jones. Omi Osun Joni L. Jones is an artist, scholar, and an Associate Professor in the African and African Diaspora Studies Department at the University of Texas at Austin. Dr. Jones states, “My desire has been to transform predominantly white academic spaces into places where Blackness reigns.[…..]

Step of Two at Royal Nonesuch Gallery

Right: Henna Vainio, Legs (orange), 2017; plaster, pigment, fiberglass, steel; 78 x 8 x 8 in. Left: Emily Mast. ENDE (Like a New Beginning), 2014 (video still); HD color video with sound; 7:30 sec. Courtesy of Royal Nonesuch Gallery. Photo: Dana Hemenway.

Step of Two, the current exhibition by Emily Mast and Henna Vainio at Royal Nonesuch, tenderly complicates ideas of action versus inaction. Two freestanding sculptures by Vainio have an immediate presence, with bright colors and abstract forms that suggest human postures. To make them, Vainio pours pigmented plaster into corrugated-cardboard cylindrical molds, which collapse and bend under the weight of the plaster. Once set, the plaster[…..]

!Mediengruppe Bitnik: Is anybody home lol

!Mediengruppe Bitnik, Ashley Madison Angels at Work in Berlin, 2017. Five channel video installation, Full HD, 16:9, sound, loop 10:07; LCD screens, trolley stands, cables, pink neon lights; dimensions variable; exhibition view. Courtesy of the artists and EIGEN + ART Lab, Berlin. Photo: Otto Felber.

Although the “lol” in the title of the exhibition at Berlin’s EIGEN + ART Lab, Is anybody home lol, might suggest that the themes of the works on view are casual and playful, the four works by !Mediengruppe Bitnik (the duo of Carmen Weisskopf and Domagoj Smoljo) are anything but. Each asks salient questions about contemporary human relationships in today’s increasingly digitized landscape. !Mediengruppe have[…..]

Visual Art and the American Experience at the African American Museum of History and Culture

Visual Art and the American Experience, Smithsonian Institution, National Museum of African American History and Culture Architectural Photrography

In the art world, we don’t talk often enough about the ways in which class defines museums—in particular, art museums—in that their contents are largely formed by the tastes and investments of the rich. There is no other conceivable explanation for the way institutions continue to represent the nation’s art largely as the work of individuals who are White and male. It is in this[…..]

Hashtags: The Body Without Organs

Rei Kawakubo/Comme des Garçons: Art of the In-Between. Gallery View, Clothes/Not Clothes: War/Peace. © The Metropolitan Museum of Art

#embodiment #performance #fashion #commerce #beauty #ReiKawakubo Given their constant presence in our lives, we think surprisingly little about our bodies. When we do, we are often thinking of ways to make them less body, more commodity. For women in particular, the body is the site of our social acceptability and our abjection. Fashion is how we navigate that landscape. Philosopher Kwame Anthony Appiah has proposed that the[…..]

Made in Iran, Born in America

Taravat Talepasand. Iran, Iran, Iran, Iran (detail); 2017. Metal, rope, denim, pigment, hand match patches, assorted pins, iPhone 7 plus. Collaboration with Laura Rokas.

Today, from our friends at REORIENT, we bring you Joobin Bekhrad’s interview with artist Taravat Talepasand, aka TVAT. They discuss Talepasand’s recent show at San Francisco’s Guerrero Gallery, Made in Iran, Born in America, the use of drugs in her work, and her love of Iran. The artist says, “Take your definition of ‘Orientalism’, which I find offensive, and see if you can create art that is as conceptually profound and technically[…..]