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Loud. Black. Resident Part I: In Conversation with Dr. Omi Osum Joni L. Jones

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Today from our friends at ARTS.BLACK we bring you Arielle Julia Brown’s interview with Dr. Omi Osum Joni L. Jones. Omi Osun Joni L. Jones is an artist, scholar, and an Associate Professor in the African and African Diaspora Studies Department at the University of Texas at Austin. Dr. Jones states, “My desire has been to transform predominantly white academic spaces into places where Blackness reigns.[…..]

Larry Sultan: Editorial Works at Casemore Kirkeby

Larry Sultan. Paris on my Parents' Bed, 2007; archival pigment print; 30 x 40 inches. Courtesy of Casemore Kirkeby, San Francisco.

Shotgun Reviews are an open forum where we invite the international art community to contribute timely, short-format responses to an exhibition or event. If you are interested in submitting a Shotgun Review, please click this link for more information. In this Shotgun Review, Courtney Trouble reviews Larry Sultan: Editorial Works at Casemore Kirkeby in San Francisco. Banality masquerades as sensationalism in the San Fernando Valley,[…..]

Step of Two at Royal Nonesuch Gallery

Right: Henna Vainio, Legs (orange), 2017; plaster, pigment, fiberglass, steel; 78 x 8 x 8 in. Left: Emily Mast. ENDE (Like a New Beginning), 2014 (video still); HD color video with sound; 7:30 sec. Courtesy of Royal Nonesuch Gallery. Photo: Dana Hemenway.

Step of Two, the current exhibition by Emily Mast and Henna Vainio at Royal Nonesuch, tenderly complicates ideas of action versus inaction. Two freestanding sculptures by Vainio have an immediate presence, with bright colors and abstract forms that suggest human postures. To make them, Vainio pours pigmented plaster into corrugated-cardboard cylindrical molds, which collapse and bend under the weight of the plaster. Once set, the plaster[…..]

Made in Iran, Born in America

Taravat Talepasand. Iran, Iran, Iran, Iran (detail); 2017. Metal, rope, denim, pigment, hand match patches, assorted pins, iPhone 7 plus. Collaboration with Laura Rokas.

Today, from our friends at REORIENT, we bring you Joobin Bekhrad’s interview with artist Taravat Talepasand, aka TVAT. They discuss Talepasand’s recent show at San Francisco’s Guerrero Gallery, Made in Iran, Born in America, the use of drugs in her work, and her love of Iran. The artist says, “Take your definition of ‘Orientalism’, which I find offensive, and see if you can create art that is as conceptually profound and technically[…..]

James Franco & Kalup Linzy: Collaborations at Bob Rauschenberg Gallery

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Shotgun Reviews are an open forum where we invite the international art community to contribute timely, short-format responses to an exhibition or event. If you are interested in submitting a Shotgun Review, please click this link for more information. In this Shotgun Review, Danny Olda reviews James Franco & Kalup Linzy: Collaborations at Bob Rauschenberg Gallery in Fort Meyers. Since General Hospital brought the two together in 2010,[…..]

To All the Futures We Can Imagine

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Today, from our sister publication Art Practical, we bring you Jen Delos Reyes’s article from issue 8.3: Art can’t do anything if we don’t. Delos Reyes ruminates on the power of letter writing and the role letters have played in her personal and professional life. She ends this piece with the letter she would have sent to incoming art students, stating, “We need artists to understand social[…..]

M/D: Coda at SFMOMA

Mickalene Thomas, Sista Sista Lady Blue, 2007; chromogenic print; 40 3/8 x 48 1/2 in. (102.55 x 123.19 cm); Collection SFMOMA, gift of Campari USA; © Mickalene Thomas / Artists Rights Society (ARS), New York; photo: Katherine Du Tiel

Shotgun Reviews are an open forum where we invite the international art community to contribute timely, short-format responses to an exhibition or event. If you are interested in submitting a Shotgun Review, please click this link for more information. In this Shotgun Review, Carolina Magis Weinberg reviews M/D: Coda at SFMOMA in San Francisco. In the current political moment, in which women and people of[…..]