Bean Gilsdorf is an artist and writer. She is the Editor in Chief of Daily Serving, as well as the author of our arts-advice column “Help Desk,” now in its fifth year. Her critical writing and interviews have been included in publications such as Art21 Magazine, Artforum, Art Practical, BOMB, Frieze, and The Miami Rail. Gilsdorf is a 2015-2017 Fulbright Fellow to Poland. She currently lives in Warsaw.
Email: info@DailyServing.com
Help Desk is an arts-advice column that demystifies practices for artists, writers, curators, collectors, patrons, and the general public. Submit your questions anonymously here. All submissions become the property of Daily Serving. Help Desk is co-sponsored by KQED.org. Lately I’ve been seeing works of contemporary art that aren’t really aesthetically pleasing, most of them are just really simple and plain. I’ve seen a lot of beautiful[…..]
Help Desk is an arts-advice column that demystifies practices for artists, writers, curators, collectors, patrons, and the general public. Submit your questions anonymously here. All submissions become the property of Daily Serving. My question centers around income: does an artist truly need their own website to be successful? Do prospective buyers really look up your name and view your work? I’m a financially struggling student–I do[…..]
The difficulty in viewing photographs of artwork is that the camera flattens the object in its focus, relinquishing subtleties in order to capture a whole. Because his oeuvre is very subtle indeed, Mark Bradford’s work requires a viewer’s presence to be fully appreciated. Very little of the slender lines of collage, delicate papers built up in thin layers or washes of paint almost completely sanded[…..]
Help Desk is an arts-advice column that demystifies practices for artists, writers, curators, collectors, patrons, and the general public. Submit your questions anonymously here. All submissions become the property of Daily Serving. I’m currently a photography student. As I try to figure out how I will make a living after graduation, like many photographers, I’m leaning towards a combination of fine art and commercial work. All[…..]
Help Desk is an arts-advice column that demystifies practices for artists, writers, curators, collectors, patrons, and the general public. Submit your questions anonymously here. All submissions become the property of Daily Serving. I’ve always had a problem titling my artwork. My question is how much should an artist “give away” through the title of an artwork? And when viewing a piece of art, how much should[…..]
Help Desk is an arts-advice column that demystifies practices for artists, writers, curators, collectors, patrons, and the general public. Submit your questions anonymously here. All submissions become the property of Daily Serving. What is the most effective way to build a relationship with galleries and eventually have your work shown? Do you simply walk in with a portfolio of works/images and try to convince them of[…..]
Help Desk is an arts-advice column that demystifies practices for artists, writers, curators, collectors, patrons, and the general public. Submit your questions anonymously here. All submissions become the property of Daily Serving. My question has to do with getting back into the swing. I am a painter/installation artist who showed frequently for a few years after grad school with a small amount of critical notice whose[…..]