CONSTRUCT\S: Installations by Asian Pacific American Women Artists at the Wing Luke Museum is a journey into the lives and minds of six artists who employ a range of media and creative tactics to explore sociocultural identity, familial history, and locality. The exhibition does not claim to be a comprehensive survey of “Asian Pacific American art.” Rather, it provides an array of entry points into[…..]
Can architecture transform lives? Can it transform us? These questions lay the foundation for Structure and Ornament, a solo exhibition of work by Seattle-based artist Leo Saul Berk, on view at Frye Art Museum. Presented in a meandering array of multimedia sculpture, site-specific installation, and video with sound, Berk’s ongoing series is a reflection on his childhood home in Aurora, Illinois—a site formative to his personal and artistic growth. In the[…..]
“When I worked for the Seattle Times fifteen years ago, our building overlooked this lot,” remarked Molly Dilworth during a recent artist talk. Her project, 2421 Miles, is a 52,000-square-foot earthwork (organized in collaboration with ALL RISE) located on a vacant city block in the heart of downtown. Returning to the site this spring was a homecoming of sorts for the Brooklyn-based artist. The ALL[…..]
Future Ruins, Rodrigo Valenzuela’s exhibition at the Frye Art Museum, is indeed monumental, incorporating a range of media including print, sculpture, video, and sound. The exhibition does not present a quiet, post-apocalyptic landscape that fetishizes decay; rather, Valenzuela addresses divisions of labor and the nature of work, making these complex issues manifest through the specter of the 21st-century economic landscape. And though it is discordant at[…..]
For our Best of 2014 series, Fan Mail columnist A. Will Brown selected Sarah Margolis-Pineo’s review of Ann Hamilton’s recent solo show in Seattle. Says Brown, “Sarah‘s review of The Common S E N S E at the Henry Art Gallery provides key insights into Hamilton’s ability to engage an audience across senses—touching, seeing and hearing—through multifaceted artwork that is grounded in a sense of urgency. The exhibition[…..]
I was instantly drawn to the Siberian Rubythroat. It must have been the vibrant red flash of exposed underbelly that first caught my eye, but it was the bird’s placement that focused my attention, a diminutive creature adrift in a mauve fog. The Rubythroat is just one of 200 animal specimens that have been scanned, printed in multiple, and hung in a mosaic of thick[…..]
The artist’s hand is evident from the moment you walk into BUSTER SIMPSON // SURVEYOR, the first comprehensive survey of the Seattle-based artist’s forty-year career, now on view at the Frye Museum of Art. Simpson has chiseled the exhibition title’s two parallel lines into the gallery wall (on which the rest of the title is painted), like a giant trail marker or series of bite[…..]
