The press release for Jordan Kantor‘s self titled exhibition, currently on view at Ratio 3 in San Francisco, provides readers with little more than a physical account of what the exhibition includes: “several paintings on canvas, some in oil, others in enamel, two looping slide projections,” etc. This type of opacity in the actual content of the show seemed frustrating at first, but after a[…..]
Due to the ubiquity of image and video today, we have become accustomed to witnessing disasters, both man made and natural, unfold in front of our very eyes. Because of the easy access of imagery and news media, it seems as if these disasters are growing at an exponential rate and are perhaps starting to spiral out of control. The recent onslaught of crisis’, be[…..]
In the first installment of an ongoing series, we’re teaming up with our pals at Art Practical, a San Francisco Bay Area based website that is the nexus of four important chroniclers of art and visual culture: Bad At Sports, Happenstand, Shotgun Review, and Talking Cure quarterly. DailyServing will be partnering with Art Practical from time to time to bring you the latest in whats[…..]
Opening Thursday, May 6th, We have as much time as it takes is the final thesis exhibition of the Curatorial Practice program at California College of the Arts in San Francisco. The following interview was conducted for the exhibition catalog between curators Nicole Cromartie and Courtney Dailey and two members of Red76. It is the first in a series of interviews to be published at[…..]
I have to admit, there is nothing more impressive to me than a well executed painting, and spending some time with the work of Johannes Kahrs has done nothing but revive this fascination. Living somewhere between film, modern news media and history painting, Kahrs’ work seamlessly merges the beauty and tradition of painting and portraiture with banal yet grotesque objectivity, seducing the viewer into a[…..]
As part of their 75th Anniversary celebration, SFMOMA commissioned British artist Ewan Gibbs to make a series of “urban portraits” of San Francisco based on snapshots the artist took last year. Addressing the delicate, pixellated, hand-rendered portraits, SFMOMA curator Henry Urbach said, “…they hover between photography and drawing, between the documented and the half remembered.” The 18 drawings that comprise Gibbs’ first solo museum exhibition[…..]
Currently on view at PDX Contemporary Art in Portland, OR is a solo presentation of new work by John Mann. The exhibition, entitled Folded in Place, represents Mann’s recent eponymous series of photographs. The shallow depth of field images present curious constructions of maps made by the artist—maps which now take on different roles than those once dictated by their previous lives as simple geographical[…..]
