Posts Tagged ‘San Francisco’

Fan Mail: Josh Highter

For this edition of Fan Mail, Josh Highter of Berkeley, California has been selected from our worthy reader submissions. Two artists are featured each month—the next one could be you! If you would like to be considered, please submit your website link to info@dailyserving.com with ‘Fan Mail’ in the subject line. Josh wrote about his paintings as “inventions shaped by forces of society, economics, technology,[…..]

Too Hard to Keep

Today’s feature is from our  good friends at KQED Arts in San Francisco. Writer Roula Seikaly discusses Too Hard to Keep, a new project by Chicago-based photographer, Jason Lazarus, currently on view at SF Camerawork. One of the less understood figures in Christian folklore is the sin eater. This person, usually a beggar, was charged with absolving someone of their sins by consuming food and drink that[…..]

Speaking Directly: Interview with Tony Discenza

Tony Discenza, TRANSPORTED, 2010.  Vinyl on aluminum, 30 x 24 inches

Tony Discenza’s text-based work is concise yet absurd: the tone is often matter-of-fact while the content is speculative and fanciful. The appropriated formats of a street sign or a book’s teaser page provide an internal logic that holds the tension of this paradox quite neatly. Obviously, I’m a fan, so I asked him to chat with me about his recent projects. Discenza’s solo and collaborative[…..]

New Year’s Day Swimmers

The first time I saw New Year’s Day Swimmers, the current exhibition at Altman Siegel Gallery in San Francisco, I didn’t mean to. I intended to pop into the gallery to drop something off, but as soon as I crossed the threshold I was completely captivated by the works and forgot everything else I was supposed to accomplish by my visit. Floating through the gallery,[…..]

Picturing a Picture Collection

As a part of our ongoing partnership with KQED Arts, today we bring you a feature from writer Sarah Hotchkiss titled Picturing a Picture Collection: Taryn Simon at John Berggruen. For her first exhibition in San Francisco, photographer Taryn Simon delves into a unique archive to create a series of organized images about the organization of images. The Picture Collection contains photographs of the New York Public[…..]

On Seeing and Nothingness

A few years ago, I found myself wondering: what is the essence of existence? After some thinking, I came to the conclusion that the simplest evidence of existence is interaction. Even at an infinitesimal level, if something doesn’t interact with something else, there is no way to prove it exists. That being said, there are different ways to measure interactions, both direct and indirect. For[…..]

Jay DeFeo: Spatial Relations

Jay DeFeo, Room with a View, 1989; oil on linen; 20 x 16 in.; Private collection; © 2012 The Jay DeFeo Trust / Artists Rights Society, New York; photo: Ben Blackwell; Right: Jay DeFeo, Last Valentine, 1989; oil on linen; 20 x16 in.; Private collection; © 2012 The Jay DeFeo Trust / Artists Rights Society, New York, photo: Ben Blackwell

If you back your way into the Jay DeFeo exhibition at San Francisco Museum of Modern Art, you’ll discover, as I did, a group of five oil paintings in the final gallery. The works are small by today’s standards of monumentality and smaller still by the standards of DeFeo’s most famous work, The Rose. The Rose, occupying its own alcove earlier in the show, is[…..]