Posts Tagged ‘REORIENT’

Shiny Happy People: Interview with Reem Al Faisal

Reem Al Faisal. Zaheera.

From our friends at REORIENT, today we bring you an interview with the Saudi photographer, gallery owner, journalist, and princess Reem Al Faisal. Author Joobin Bekhrad talks with Faisal about her most recent solo exhibition, Nass [People], color, and being a woman photographer in “a man’s world.” This piece was originally published on March 1, 2016. It’s early in the morning, and, amidst news of escalating tensions between Iran[…..]

Unbreakable: Interview with Larissa Sansour

Larissa Sansour and Søren Lind. In The Future, They Ate from the Finest Porcelain, 2015 (film still). Courtesy the Artists and Lawrie Shabibi.

From our friends at REORIENT, today we bring you an interview with Palestinian video artist Larissa Sansour. Author Abdellatif R. Abdeljawad talks with Sansour about rewriting histories, science fiction as a vehicle to explore the Palestinian condition, and the inherent political nature of art. Abdeljawad says of Sansour’s most recent work, In the Future, They Ate from the Finest Porcelain, on view at Lawrie Shabibi in Dubai through March 3: “Sansour’s film (made in[…..]

Vicious Circles

Mounir Fatmi. Casablanca Circles, 2012 (detail); Print on baryte paper; 35 2/5 × 47 1/5 in. Courtesy the artist and a private collection.

From our friends at REORIENT, today we bring you “Vicious Circles.” In this piece, author Samannaz Kourang Pishdadi talks with Moroccan artist Mounir Fatmi about growing up in Tangier, the inspiration of the Beat movement, and his interdisciplinary career. Fatmi says of his work, “At the beginning, I think I was very naïve thinking my work could change things. Eventually, I realised that the most important [thing][…..]

I Spy with My Little Eye … A New Generation of Beirut Artists at Casa Árabe

Pages from Lara Tabet’s The Reeds (courtesy Oodee Books and the Village Bookstore)

From our friends at REORIENT, today we bring you a review from Madrid. Author María Gómez López notes that this exhibition of works connected to the city of Beirut “presents a complex network of challenges, connotations, and overlaid topics that reveal a unique and genuine vision, as well as a rediscovery of the world from a different perspective.” This article was originally published on September[…..]

Street Fighting Man

Nikoo Tarkhani.

Today from our friends at REORIENT, we bring you an excerpt from Joobin Bekhrad‘s interview with artist and curator Ali Ettehad, who says, “I strongly believe that at a time—especially in the Middle East—when art is, for the most part, commercially-driven, performance art is powerful in its ability to help artists retain their independence and integrity.” This article was originally published on June 2, 2015. Joobin[…..]

Islamic Art Now at the Los Angeles County Museum of Art

Abdullah Al Saab. Technology Killed Reality, 2014;  Courtesy of the Artist, Tamara Keleshian, and  Museum Associates/LACMA

Today from our friends at REORIENT, we bring you an excerpt from Nicola Baird’s review of Islamic Art Now at the Los Angeles County Museum of Art. Baird notes that “the dialogue surrounding the validity of the term ‘Islamic’ as a meaningful art-historical classification continues to attract attention. Indeed, what is Islamic art, and is such a term appropriate?” This article was originally published on February[…..]

Room Full of Mirrors: The Dazzling Life And Legacy Of Monir Shahroudy Farmanfarmaian

Monir. Lightning for Neda, 2009; Courtesy the Artist and The Third Line

Today from our friends at REORIENT, we bring you an excerpt from Nicola Baird‘s feature on the life and work of artist Monir Shahroudy Farmanfarmaian. Baird explains, “Monir’s works present a world wherein everything is moving to transformative effect.” This article was originally published on January 5, 2015; an exhibition of Monir’s works will open in New York at the Guggenheim on March 13, 2015. The artist[…..]