This summer, Daily Serving is shining a light on some arts publications that we regularly read and love. We’re spending this week with C&, “a dynamic space for the reflection on and linking together of ideas, discourse, and information on contemporary art practice from diverse African perspectives.” Today’s selection is an interview between curator Okwui Enwezor and collector Artur Walther, who discuss the past and future of African photography.[…..]
Shotgun Reviews are an open forum where we invite the international art community to contribute timely, short-format responses to an exhibition or event. If you are interested in submitting a Shotgun Review, please click this link for more information. In this Shotgun Review, Courtney Trouble reviews Larry Sultan: Editorial Works at Casemore Kirkeby in San Francisco. Banality masquerades as sensationalism in the San Fernando Valley,[…..]
Shotgun Reviews are an open forum where we invite the international art community to contribute timely, short-format responses to an exhibition or event. If you are interested in submitting a Shotgun Review, please click this link for more information. In this Shotgun Review, Hoi Lun Helen Wong reviews Louise Lawler: Why Pictures Now at the Museum of Modern Art in New York. Part of the[…..]
Shotgun Reviews are an open forum where we invite the international art community to contribute timely, short-format responses to an exhibition or event. If you are interested in submitting a Shotgun Review, please click this link for more information. In this Shotgun Review, Eva Mak reviews Richard Mosse: Incoming at the Barbican in London. No matter race, age, origin, or legal status, while the human[…..]
The artist ordered his friend an undying houseplant as a gift. To contextualize Handsome Rewards, Jeff Downer’s solo exhibition at Duplex, the artist shares this anecdote in his press release: “I found myself flipping through [a] merchandise catalogues…while walking it straight to the recycling bin. What caught my eye was something called a ‘resurrection plant.’ According to the ad, the plant can survive extreme dehydration[…..]
![Installation view of Henry Taylor, The 4th, 2012-2017 and THE TIMES THAY AINT A
CHANGING, FAST ENOUGH!, 2017, with Deana Lawson, Ring Bearer, 2016. [Taylor]
Collection of the artist; courtesy Blum & Poe, Los Angeles/New York/Tokyo. [Lawson]
Collection of the artist; courtesy Rhona Hoffman Gallery, Chicago, and Sikkema Jenkins &
Co., New York. Whitney Biennial 2017, Whitney Museum of American Art, New York, March
17-June 11, 2017. Photo by Matthew Carasella.](http://www.dailyserving.com/wp-content/uploads/2017/04/11_HenryTaylor_DeanaLawson_Install_2017Biennial-sm.jpg)
#representation #WhitneyMuseum #EmmettTill #DanaSchutz #MartinBerger #race #civilrights So much hinges on the question of audience. Who is presumed to engage with artwork, and on what terms? In the museum, people of color so often feel that we are not the intended audience. The hurt that we experience on realizing that disconnect—that we are here for art but art is not necessarily here for us—has now been[…..]
Shotgun Reviews are an open forum where we invite the international art community to contribute timely, short-format responses to an exhibition or event. If you are interested in submitting a Shotgun Review, please click this link for more information. In this Shotgun Review, Max Blue reviews Diane Arbus: In the Beginning at SFMOMA. Diane Arbus: In the Beginning is a meandering, somewhat maudlin journey through the[…..]
