Molly Springfield’s show at Thomas Robertello Gallery, titled “The Proto-History of the Internet,” isn’t really about the Internet. In actuality, the conceptual drawings, quizzical icons, and indexical paragraphs on view serve as obscure guide-posts pointing the way to broader dilemmas about the production of knowledge. The show is challenging by design. As viewers, we’re privy to certain facts while others are intentionally withheld. Dry diagrams and[…..]