Posts Tagged ‘Oakland’

“Hello, all but forgotten piece of 1970s feminist Earth Art, have you ever seen a transsexual before?”

Liz Rosenfeld, Untitled [Dyketactics Revisited], 2005. Video transfer.

Sight, acknowledgment, and shared experience all figure prominently in Hybrid Narrative: Video Mediations of Self and the Imagined Self, currently at Mac Arthur B Arthur in Oakland, CA. Artists Liz Rosenfeld, Chris E. Vargas, Sofia Cordova and Shana Moulton make themselves “seen” though video, film transfer, installation and performance. Rosenfeld’s Untitled (Dyketactics Revisited), a 16mm film transfer to video, brings us to another time both[…..]

The Take-Away: Run Off at MacArthur B Arthur

Anyone who’s ever temped in an office or published a zine knows the marvelous idiosyncrasies of the Xerox machine: the sliding, illuminated beam that scans the images; the warm stacks of copies identical enough to be called “exact” yet often full of bleeding letters; shiny black-hole shadows and flecks of who-knows-what from the machine itself.  In Run Off, now on view at MacArthur B Arthur[…..]

World Disclosers: Medusa’s Mirror at Pro Arts Gallery

Some philosophy holds that the fundamental role of human beings is to be “world disclosers.”  Medusa’s Mirror: Fears, Spells, and Other Transfixed Positions, a small yet conceptually powerful show at Oakland’s Pro Arts Gallery, demonstrates this principle via the visual arts.  The exhibit, curated by Amanda Cachia, is expansive in at least two important ways. First, the objects on view include both traditional and new[…..]

BISCHOFF SOREN BLACK on the other side of the Bay

Across the San Francisco Bay, Oakland can often seem like entirely different world compared to “The City.” There is a general air of anything goes, as you wander down the streets filled with people from all walks of life. Punks, hipsters, young, cool professionals who used to be vegan anarchists before they had kids and got a real job, all contribute to the truly unique[…..]

Kathy Aoki

Kathy Aoki is currently presenting a solo show at Oakland’s Swarm Gallery entitled The Museum of Historical Makeovers. In her faux-museum exhibition, Aoki takes on the role of a curator from the year 3011 at a cultural history museum. The exhibition specifically follows Gwen Stefani as if humanity has uncovered artifacts from her clothing lines and accepted them as culturally significant. The museum consists of several sculptural works[…..]