Opening Thursday, May 13th and running through Saturday the 15th is a flash project at Catherine Clark Gallery‘s New York space, the 14th Street Studio. The show, entitled Everything Will Probably Work Out OK, will feature recent work by Oakland, CA-based Anthony Discenza. Discenza’s text-based work is both literary-minded and low-brow laugh-inducing, and references the artist’s interest in what he calls an “internal viewing experience,”[…..]

On view through May 9th at the Museum of Contemporary Art North Miami is a retrospective of  work made by Brooklyn-based artist, Cory Arcangel, from 2002 to present. The solo exhibition, entitled The Sharper Image, examines the prolific artist’s diverse practice, featuring a virtual grab bag of media—video, print, sound, performance, sculpture, drawing and web-based work. An artist, computer programmer and web designer, Arcangel was[…..]

The translation of information from an original event to a digital screen takes many forms. While the process of transferring data from the camera to satellite to analogue broadcast to a digital screen device occurs countless times each day, we usually absorb this information with little to no awareness of the process. Fueled by this topic, painter Kathy Grayson is currently presenting a new body[…..]

Amy Sillman’s highly publicized split from abstraction may not be quite as dramatic as she made it sound in her sassy breakup letter on Bomblog in 2009.  To her credit, she was never a card-carrying member of the High Church of Abstraction anyway. I think some of the works in Transformer (or how many lightbulbs does it take to change a painting?), her current show[…..]

In February 2010, Kenyan-born, New York-based artist Wangechi Mutu was named the Deutsche Bank’s “Artist of the Year.” Her accompanying exhibition, My Dirty Little Heaven will open later this month at the Deutsche Guggenheim Museum in Berlin. Recently, DailyServing’s Aimée Reed had a chance to catch up with Mutu at her studio in Brooklyn to discuss her upcoming show, as well as the con-current exhibition[…..]

Philip Johnson’s Glass House has often served as the subject and inspiration for other artist’s work. Photographer, James Welling, has chosen to document the house for a new series of images, simply titled Glass House. The exhibition, which is currently on view at David Zwirner Gallery on West 19th St. in New York City, has developed over a three year period (2006-2009). Welling’s images capture[…..]

While it may seem that every press release these days somehow equates the art on view with the Obama era, things really are better now that big dummy Bush is out of office and you can feel it in Jules de Balincourt’s current show, Premonitions, at Deitch Projects.  I’m not saying this show screams, “Yes, We Can,” but with the oppressive anxiety of the Bush[…..]