Posts Tagged ‘labor’

Summer Session – Simon Denny: The Innovator’s Dilemma at MoMA PS1

Simon Denny. New Management, 2014; installation view, Portikus, Frankfurt. Photo: Helena Schlichting. Courtesy of the Museum of Modern Art.

Labor is the first theme in our Summer Session series, and today we’re looking back at Alex Bigman’s review of The Innovator’s Dilemma at MoMA PS1, an exhibition by Simon Denny that addresses innovation, promotion, the tech industry, and “the international echo chamber of startup discourse.” This article was originally published on June 25, 2015. Startup culture is ripe for satire. The tech industry’s social and economic[…..]

Summer Session: Mika Rottenberg by Judith Hudson

Mika Rottenberg. Still from Squeeze, 2010; digital C-print, single-channel video installation. Total running time: 20 minutes.

Today from our friends at BOMB Magazine, we bring you an excerpt from Judith Hudson’s interview with Mika Rottenberg. In keeping with our Summer Session theme of labor, the artist discusses multitasking, migrant workers, energy, and the value of sweat. This interview was originally published in the Autumn 2010 issue of BOMB. Video-installation artist Mika Rottenberg creates mini-factories, farms, and tableaux, which produce products variously made[…..]

Summer Session – #Hashtags: The Business End of Art

Ray Beldner. Moneybags, 2008. Sewn US Currency. Courtesy Charlie James Gallery.

June’s theme is labor, and today we bring you an installment of Anuradha Vikram’s #Hashtags, a series that explores the intersection of art, social issues, and global politics. In today’s so-called creative economy, Vikram notes, “The most successful artist will be the one who knows how to make capital work for her, rather than working for capital.” This article was originally published on March 23, 2015.   #artmarket[…..]

Summer Session: On Laboring for Love

Shannon Finnegan. 8 Hours of Work, 2012 (performance still); Saturday, June 9, 2012, 11 a.m.–7 p.m. Presented by Recession Art in conjunction with Everything Is Index, Nothing Is History at the Invisible Dog, Brooklyn. Courtesy of the Artist.

Today from our partners at Art Practical, we bring you the next installment of our Summer Session—for June we’re considering the idea of labor. In this essay, author Elyse Mallouk (also an artist) notes, “While artists struggle publicly to make the value of art work visible, they are bound as a corporate body by the uncertainties and sacrifices they share in common… Artists can gain power[…..]

Summer Session – Help Desk: Internship Woes

Yoyoi Kusama, Dots Obsession, 1999. Mixed media, Collection Les Abattoirs,Toulouse

Kicking off our 2016 Summer Session is a sequence of articles that regard labor in the arts: work, innovation, compensation, leisure, and more! In this Help Desk column, Bean Gilsdorf answers a question about internships, working for free, training for future employment—and considering what the law allows. The article was originally published on December 17, 2012. In general, blog writing is a tricky area in terms of authorship.[…..]

Help Desk: Getting Paid for Curatorial Work

Kerry James Marshall. Portrait of a Curator (In Memory of Beryl Wright), 2009; acrylic on PVC, 30 7/8 x 24 7/8 x 1 7/8 in.

Help Desk is where I answer your queries about making, exhibiting, finding, marketing, buying, selling–or any other activity related to contemporary art. Submit your questions anonymously here. All submissions become the property of Daily Serving. I’m a professional curator with over a decade of experience, mostly as a salaried professional. I’d like to be doing more freelance curatorial work, but curators seem to either get paid nothing, absurdly little, or astronomical sums.[…..]

G.T. Pellizzi: Yo Transporto at Sala de Arte Público Siqueiros

G.T. Pellizzi. Yo Transporto, 2016; wood, plywood, Ethafoam. Courtesy of Sala de Arte Público Siqueiros.

Art travels. Within the globalized art scene, its journey takes the many forms of traveling exhibitions, international art fairs, biennials, public contests, and loans from personal or institutional collections. Although this wandering condition may enrich the experience of different public spheres by bringing them closer to popular works and major exhibitions, the accelerated speed at which these movements and spectacles take place commands a huge[…..]