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	<title>DAILY SERVING &#187; Kadist Paris</title>
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	<link>https://www.dailyserving.com</link>
	<description>an international forum for contemporary art</description>
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		<title>Irena Haiduk on Yugoexport</title>
		<link>https://www.dailyserving.com/2016/04/irena-haiduk-on-yugoexport/</link>
		<comments>https://www.dailyserving.com/2016/04/irena-haiduk-on-yugoexport/#comments</comments>
		<pubDate>Sat, 30 Apr 2016 07:00:29 +0000</pubDate>
		<dc:creator><![CDATA[admin]]></dc:creator>
				<category><![CDATA[Conceptual]]></category>
		<category><![CDATA[Fashion]]></category>
		<category><![CDATA[Interviews]]></category>
		<category><![CDATA[Video / Film]]></category>
		<category><![CDATA[Biljana Ciric]]></category>
		<category><![CDATA[Irena Haiduk]]></category>
		<category><![CDATA[Kadist]]></category>
		<category><![CDATA[Kadist Paris]]></category>
		<category><![CDATA[Yugoexport]]></category>

		<guid isPermaLink="false">http://dailyserving.com/?p=51874</guid>
		<description><![CDATA[Today from our friends at Kadist Art Foundation, we bring you a video of artist Irena Haiduk on Yugoexport, a non-aligned oral-corporation. Yugoexport is a “productivist force extending the institutions of leisure and labor,” offering “release from the cruelty of waiting, wasting, transition, and sucking the life out of things” and operating with the tagline “Hope is the greatest Whore.” This video was originally published in[.....]]]></description>
				<content:encoded><![CDATA[<p><em>Today from our friends at <a href="http://kadist.org">Kadist Art Foundation</a>, we bring you a video of artist <a href="http://www.renaissancesociety.org/publishing/550/irena-haiduk-artist-%20talk/" target="_blank">Irena Haiduk</a> on <a href="http://yugoexport.com" target="_blank">Yugoexport</a>, a non-aligned oral-corporation. Yugoexport is a “<a href="http://www.kadist.org/sites/default/files/attachments/dp_biljanaciric_en.pdf" target="_blank">productivist force extending the institutions of leisure and labor</a>,” offering “<a href="http://www.kadist.org/sites/default/files/attachments/dp_biljanaciric_en.pdf" target="_blank">release from the cruelty of waiting, wasting, transition, and sucking the life out of things</a>” and operating with the tagline “Hope is the greatest Whore.” This video was originally published in conjunction with Biljana Ciric’s curatorial project </em>Habits and customs of _______ are so different from ours so that we visit them with same sentiment that we visit exhibitions<em>, on view at <a href="http://www.kadist.org/en/programs/all/2438" target="_blank">Kadist Paris</a> through April 30, 2016.</em></p>
<p><iframe src="https://player.vimeo.com/video/156233761" width="500" height="281" frameborder="0" title="Irena Haiduk, Yugoexport, a non-aligned oral-corporation" webkitallowfullscreen mozallowfullscreen allowfullscreen></iframe></p>
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		<title>Interview with Barbara Bloom</title>
		<link>https://www.dailyserving.com/2016/02/barbara-bloom/</link>
		<comments>https://www.dailyserving.com/2016/02/barbara-bloom/#comments</comments>
		<pubDate>Sat, 13 Feb 2016 08:00:51 +0000</pubDate>
		<dc:creator><![CDATA[admin]]></dc:creator>
				<category><![CDATA[Interviews]]></category>
		<category><![CDATA[Barbara Bloom]]></category>
		<category><![CDATA[Installation]]></category>
		<category><![CDATA[Jo-ey Tang]]></category>
		<category><![CDATA[Kadist]]></category>
		<category><![CDATA[Kadist Paris]]></category>
		<category><![CDATA[The Bedroom]]></category>

		<guid isPermaLink="false">http://dailyserving.com/?p=51001</guid>
		<description><![CDATA[Today, we bring you a video from our friends at Kadist Art Foundation. In this video, Barbara Bloom (in conversation with Jo-ey Tang), describes the impetus for her installation The Bedroom (1997), her fascination with the utilitarian object and the fictional narrative, and the work’s inception in a flea market gouache painting.  &#160;]]></description>
				<content:encoded><![CDATA[<p><em>Today, we bring you a video from our friends at <a href="http://www.kadist.org" target="_blank">Kadist Art Foundation</a>. In this video, Barbara Bloom (in conversation with <a href="http://www.jo-eytang.com/" target="_blank">Jo-ey Tang</a>), describes the impetus for her installation </em>The Bedroom<em> (1997), her fascination with the utilitarian object and the fictional narrative, and the work’s inception in a flea market gouache painting. </em></p>
<p><iframe src="https://player.vimeo.com/video/151884570" width="500" height="281"frameborder="0" title="Barbara Bloom" webkitallowfullscreen mozallowfullscreen allowfullscreen></iframe></p>
<p>&nbsp;</p>
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