Posts Tagged ‘#hashtags’

#I GIF, You GIF, a-They GIF

#Hashtags provides a platform for longer reconsiderations of artworks and art practices outside of the review format and in new contexts. Please send queries and/or ideas for future columns to hashtags@dailyserving.com. Gustaf Mantel Oxford American Dictionary’s Word of the Year is finally here: GIF. Not the noun, but the verb. In fact, the noun is boring, old hat. The first GIF (the first file ever[…..]

#museumpractices: The Museum on My Mind, Part III

Marksfi

Wall labels. Curatorial text. Provenance. Titles (or un-titles, as the case may be). At what point do the words surrounding an artwork serve the work, and at what point do they disrupt it? In terms of the museum, specifically, when do explanatory labels benefit museum-goers, and when do they detract from an individual’s experience? This week, #Hashtags features Part III of The Museum On My[…..]

#bindersfullofwomen: The Art of Being Female

Mitt Romney had binders full of women, #Hashtags has “The Art of Being Female.” Originally published March 13, 2012. Please send queries and/or ideas for future columns to hashtags@dailyserving.com. #Hashtags provides a platform for longer reconsiderations of artworks and art practices outside of the review format and in new contexts. If you’re young and female, I hope you’re introduced to a positive mentor early enough[…..]

#museumpractices: The Museum On My Mind, Part II

Wall labels. Curatorial text. Provenance. Titles (or un-titles, as the case may be). At what point do the words surrounding an artwork serve the work, and at what point do they disrupt it? In terms of the museum, specifically, when do explanatory labels benefit museum-goers, and when do they detract from an individual’s experience? This week, #Hashtags features Part II of The Museum On My[…..]

#Hashtags: Rejecting a Binary Argument with Toyin Odutola

Back in early March 2012, I reviewed Mark Bradford’s solo show at SFMOMA and learned shortly thereafter that the oft-repeated narrative about the circumstances of his early work—that he grew up in poverty in a depressed African-American neighborhood of Los Angeles—was simply not true (he was raised in Santa Monica, an affluent suburb). Given that I’ve heard this myth repeated even by knowledgeable curators, I[…..]

#museumpractices: The Museum on My Mind, Part I

John Cage, HV2 25B, 1992; one in a series of 25 aquatints; 12 x 14 inches; published by Crown Point Press, San Francisco. Courtesy of Crown Point Press.

#Hashtags provides a platform for longer reconsiderations of artworks and art practices outside of the review format and in new contexts. Today #Hashtags kicks off a new series on the institution of the museum, by writer Rob Marks. Stay tuned for Part II, and please send queries and/or ideas for future columns to hashtags@dailyserving.com. Part I: If the Walls Would Not Speak The museum is[…..]

#PussyRiot: Dance, Dance Revolutionaries

PRIOT1

#Hashtags provides a platform for longer reconsiderations of artworks and art practices outside of the review format and in new contexts. Please send queries and/or ideas for future columns to hashtags@dailyserving.com. The arrest and trial of three members of Pussy Riot, the Russian riot grrrl band and art collective, has captured worldwide attention. Imprisoned after their impromptu February 21, 2012, performance at the Cathedral of[…..]