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	<title>DAILY SERVING &#187; Haines Gallery</title>
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		<title>History’s Shadow: New works by David Maisel</title>
		<link>https://www.dailyserving.com/2011/05/historys-shadow-new-works-by-david-maisel/</link>
		<comments>https://www.dailyserving.com/2011/05/historys-shadow-new-works-by-david-maisel/#comments</comments>
		<pubDate>Tue, 10 May 2011 08:00:54 +0000</pubDate>
		<dc:creator><![CDATA[admin]]></dc:creator>
				<category><![CDATA[Photography]]></category>
		<category><![CDATA[Art Practical]]></category>
		<category><![CDATA[Haines Gallery]]></category>
		<category><![CDATA[San Francisco]]></category>

		<guid isPermaLink="false">http://dailyserving.com/?p=16315</guid>
		<description><![CDATA[Today’s article is from our friends at Art Practical, where Bean Gilsdorf discusses History&#8217;s Shadow, an exhibition by the artist David Maisel currently on view at Haines Gallery in San Francisco. Walking into David Maisel’s exhibition History’s Shadow, at Haines Gallery, the viewer might not recognize the work as X-ray portraits of antiquities. Surprisingly, the textures, tones and effects created by this process are more[.....]]]></description>
				<content:encoded><![CDATA[<p>Today’s article is from our friends at <a href="http://www.artpractical.com/" target="_blank">Art  Practical</a>, where <a href="http://www.artpractical.com/contributor/bean_gilsdorf/">Bean Gilsdorf</a> discusses <em>History&#8217;s Shadow</em>, an exhibition by the artist <a href="http://davidmaisel.com/default.asp" target="_blank">David Maisel</a> currently on view at <a href="http://www.hainesgallery.com/">Haines Gallery</a> in San Francisco.</p>
<div id="attachment_16316" style="width: 610px" class="wp-caption aligncenter"><img class="size-medium wp-image-16316" title="his_xxx_b_02" src="/wp-content/uploads/2011/05/his_xxx_b_02-600x434.jpg" alt="" width="600" height="434" /><p class="wp-caption-text">History’s Shadow GM3, 2010 C-print Courtesy of Haines Gallery</p></div>
<p>Walking into David Maisel’s exhibition <em>History’s Shadow</em>, at  Haines Gallery, the viewer might not recognize the work as X-ray  portraits of antiquities. Surprisingly, the textures, tones and effects  created by this process are more enticing than clinical. Through the  process of x-raying historical art objects in the collection of the  Getty and of San Francisco’s Asian Art Museum, Maisel proffers a  particular view of history, one that is cloudy and delicate, yet  revealing in unexpected ways.</p>
<p><a href="http://www.artpractical.com/review/historys_shadow/">Read More&#8230;</a></p>
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