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	<title>DAILY SERVING &#187; Europe</title>
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	<link>https://www.dailyserving.com</link>
	<description>an international forum for contemporary art</description>
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		<title>Nairy Baghramian and Phyllida Barlow</title>
		<link>https://www.dailyserving.com/2010/05/nairy-baghramian-and-phyllida-barlow/</link>
		<comments>https://www.dailyserving.com/2010/05/nairy-baghramian-and-phyllida-barlow/#comments</comments>
		<pubDate>Mon, 10 May 2010 07:00:09 +0000</pubDate>
		<dc:creator><![CDATA[Kelly Nosari]]></dc:creator>
				<category><![CDATA[Installation]]></category>
		<category><![CDATA[England]]></category>
		<category><![CDATA[Europe]]></category>
		<category><![CDATA[London]]></category>

		<guid isPermaLink="false">http://dailyserving.com/?p=4696</guid>
		<description><![CDATA[The Serpentine Gallery in London presents Nairy Bagrhamian and Phyllida Barlow.  The exhibition features new and recent work by two contemporary artists exhibited together for the first time.  The Serpentine Gallery suggests Baghramian and Barlow represent &#8216;two positions on sculpture in the 21st century&#8217;.  The pairing of the two artists offers new insight into their respective sculptural practices. Baghramian and Barlow&#8217;s work is displayed separately,[.....]]]></description>
				<content:encoded><![CDATA[<p><a rel="attachment wp-att-4697" href="/2010/05/nairy-baghramian-and-phyllida-barlow/nairybaghramian1/"><img class="aligncenter size-medium wp-image-4697" src="/wp-content/uploads/2010/05/NairyBaghramian1-600x406.jpg" alt="" width="600" height="406" /></a></p>
<p><a href="http://www.serpentinegallery.org/2010/02/nairy_baghramian_and_phyllida.html" target="_blank">The Serpentine Gallery</a> in London presents <em>Nairy Bagrhamian and Phyllida Barlow</em>.  The exhibition features new and recent work by two contemporary artists exhibited together for the first time.  The Serpentine Gallery suggests Baghramian and Barlow represent &#8216;two positions on sculpture in the 21st century&#8217;.  The pairing of the two artists offers new insight into their respective sculptural practices.</p>
<p><a rel="attachment wp-att-4698" href="/2010/05/nairy-baghramian-and-phyllida-barlow/phyllidabarlow1/"><img class="aligncenter size-medium wp-image-4698" src="/wp-content/uploads/2010/05/PhyllidaBarlow1-600x750.jpg" alt="" width="600" height="750" /></a></p>
<p>Baghramian and Barlow&#8217;s work is displayed separately, in solo rooms, and also in deliberate dialogue.  While offering different approaches, both artists are inspired by the gallery context and capitalize on characteristics of the space.  Their large-scale installations are often in arranged in tension and certainly inhabit the space of the gallery visitor.  For all of these characteristics, the installation demands a physical viewing experience.</p>
<p><a rel="attachment wp-att-4699" href="/2010/05/nairy-baghramian-and-phyllida-barlow/nairybaghramian2/"><img class="aligncenter size-medium wp-image-4699" src="/wp-content/uploads/2010/05/NairyBaghramian2-600x750.jpg" alt="" width="600" height="750" /></a></p>
<p>Nairy Baghramian was born in Iran.  She now lives and works in Berlin and is represented by <a href="http://www.galeriebuchholz.de/" target="_blank">Galerie Daniel Buchholz</a>.  She is known for photography in addition to her sculptural and installation work.  Baghramian is inspired by politics and literature as well as the legacies of minimalism, design and modern architecture.  She often engages with context, institutional framing and the production and reception of contemporary art.<br />
<a rel="attachment wp-att-4700" href="/2010/05/nairy-baghramian-and-phyllida-barlow/phyllidabarlow2/"><img class="aligncenter size-medium wp-image-4700" src="/wp-content/uploads/2010/05/PhyllidaBarlow2-600x749.jpg" alt="" width="600" height="749" /></a><br />
<a href="http://www.sculpture.uk.com/artists/phyllida_barlow/" target="_blank">Phyllida Barlow</a> lives and works in London.  She graduated from the<a href="http://www.ucl.ac.uk/slade/index.php" target="_blank"> Slade School of Fine Art</a> where she has served as professor for some time.  Barlow&#8217;s work utilizes mass produced materials that she typically combines on-site and later recycles.  Her sculptural work is often realized in the large-scale, installation environment.</p>
<p><a rel="attachment wp-att-4701" href="/2010/05/nairy-baghramian-and-phyllida-barlow/phyllidabarlow3/"><img class="aligncenter size-medium wp-image-4701" src="/wp-content/uploads/2010/05/PhyllidaBarlow3-600x749.jpg" alt="" width="600" height="749" /></a></p>
<p><em>Nairy Baghramian and Phyllida Barlow</em> is on view at the Serpentine Gallery from 8 May through 13 June 2010.</p>
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		</item>
		<item>
		<title>Javier Vallhonrat</title>
		<link>https://www.dailyserving.com/2009/11/javier-vallhonrat/</link>
		<comments>https://www.dailyserving.com/2009/11/javier-vallhonrat/#comments</comments>
		<pubDate>Thu, 19 Nov 2009 05:00:23 +0000</pubDate>
		<dc:creator><![CDATA[Alice Savorelli]]></dc:creator>
				<category><![CDATA[Articles]]></category>
		<category><![CDATA[Photography]]></category>
		<category><![CDATA[Europe]]></category>
		<category><![CDATA[Italy]]></category>
		<category><![CDATA[Milan]]></category>

		<guid isPermaLink="false">http://dailyserving.com/?p=1512</guid>
		<description><![CDATA[Acaso features a series of photographs which are the result of a four-year project by fashion photographer Javier Vallhonrat. The images largely differ from the hip and glossy fashion-related work he often realized for publications such as Vogue and the New York Times. The works exhibited at the Galleria Carla Sozzani -located at 10 Corso Como in Milan- explore the ways in which we tend[.....]]]></description>
				<content:encoded><![CDATA[<p style="text-align: center;"><img class="size-full wp-image-1511 aligncenter" title="javier1" src="/wp-content/uploads/2009/11/javier12.jpg" alt="javier1" width="600" height="263" /></p>
<p style="text-align: left;">
<p style="text-align: left;"><em>Acaso</em> features a series of photographs which are the result of a four-year project by fashion photographer Javier Vallhonrat. The images largely differ from the hip and glossy fashion-related work he often realized for publications such as <a href="http://www.style.com/vogue/" target="_blank">Vogue</a> and the <a href="http://www.nytimes.com/" target="_blank">New York Times</a>.</p>
<p style="text-align: left;">The works exhibited at the <a href="http://www.galleriacarlasozzani.org/" target="_blank">Galleria Carla Sozzani</a> -located at <a href="http://www.10corsocomo.com/" target="_blank">10 Corso Como</a> in Milan- explore the ways in which we tend to interact with, and transform, space in order to give shape to something, such as a house or a building, which we can occupy as inhabitants. The images prove to question the meaning of the concepts of &#8216;place&#8217; and &#8216;home&#8217; as sites around which we construct our experience, our individual memory and our identity, while at the same time trying to make sense of an unfamiliar condition such as the absence of what might be a &#8216;safe&#8217; place we recognize as ours and which we can refer to. Vallhonrat seems to invite the viewer to come to terms with a re-definition of a perception of space that moves from being abstract to becoming real and concrete, a process which highlights the interplay between nature and man. Privileging shades of grey, green and blue, the images by the Spanish photographer depict a variety of tasks performed by male characters within a landscape setting, and although the photographs suggest that some kind of action is taking place, the overall impression they deliver is one of extreme stillness and solitude.</p>
<p style="text-align: left;"><img class="aligncenter size-full wp-image-1519" title="javier2" src="/wp-content/uploads/2009/11/javier23.jpg" alt="javier2" width="600" height="263" /></p>
<p style="text-align: left;">Born in Madrid, Spain, in 1953, fashion photographer Javier Vallhonrat studied Painting at the Fine Arts Faculty of the University of Madrid in the early 1970’s. He achieved international recognition soon after receiving his Fine Arts degree, while shooting for the <a href="http://www.condenast.com/" target="_blank">Condé Nast Publications</a>. In 1992 he started working on advertising films, while teaching photography at the same time. He has also worked for various international fashion designers, such as Comme des Garçons, <a href="http://www.christian-lacroix.fr/" target="_blank">Christian Lacroix</a>, <a href="http://www.jilsander.com/" target="_blank">Jil Sander</a>, <a href="http://www.ruedumail.com/" target="_blank">Martine Sitbon</a>, <a href="http://www.ysl.com/" target="_blank">Yves Saint-Laurent</a>, <a href="http://www.chloe.com/#/en" target="_blank">Chloé</a>, and <a href="http://www.johngalliano.com/">John Galliano</a>.</p>
<p style="text-align: left;"><em>Acaso</em> will be on view at Galleria Carla Sozzani in Milan from 18th October to 22nd November 2009.</p>
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		</item>
		<item>
		<title>Kati Heck</title>
		<link>https://www.dailyserving.com/2007/05/kati-heck/</link>
		<comments>https://www.dailyserving.com/2007/05/kati-heck/#comments</comments>
		<pubDate>Wed, 30 May 2007 07:00:00 +0000</pubDate>
		<dc:creator><![CDATA[Seth Curcio]]></dc:creator>
				<category><![CDATA[Painting]]></category>
		<category><![CDATA[Europe]]></category>
		<category><![CDATA[Germany]]></category>

		<guid isPermaLink="false">http://localhost:8888/?p=208</guid>
		<description><![CDATA[German artist Kati Heck uses a unique synthesis of photorealism, illustration and painterly expression to create seemingly collaged paintings. Heck&#8217;s work is often auto-biographical and explores her personal experiences as well as elements of contemporary culture through outside references of pornography, architecture, art history and instruction manuals. The possible narratives in her work are influenced by comics, mystery novels and film and often contain people[.....]]]></description>
				<content:encoded><![CDATA[<p><center><img alt="Kati-Heck-5-30-07.jpg" src="/wp-content/uploads/art/Kati-Heck-5-30-07.jpg" width="500" height="423" border="1" /></center><br />German artist Kati Heck uses a unique synthesis of photorealism, illustration and painterly expression to create seemingly collaged paintings. Heck&#8217;s work is often auto-biographical and explores her personal experiences as well as elements of contemporary culture through outside references of pornography, architecture, art history and instruction manuals. The possible narratives in her work are influenced by comics, mystery novels and film and often contain people from the artist&#8217;s immediate environment, such as family and friends. Heck&#8217;s paintings appear at first to be collaged, but they are actually meticulously painted to only appear constructed. The paintings offer new meanings from the associated images while hiding the actual methods of their creation. Heck currently lives and works in Antwerp, Belgium. Last year, she exhibited at <a href="http://www.w139.nl/n/index.html" target="_blank">W139</a> in Amsterdam and <a href="http://www.marcselwynfineart.com/" target="_blank">Marc Selwyn Gallery</a> in Los Angeles. Heck studied at the <a href="http://www.academiearendonk.be/" target="_blank">Akademie voor schone Kunsten</a> in Antwerp and was a guest student at the <a href="http://www.akbild.ac.at/" target="_blank">Akademie der bildenden Kunste</a> in Vienna, Austria, and the <a href="http://www.jansen-akademie.ibfw.de/" target="_blank">Akademie Munster</a> in Germany. Currently, Heck is represented by <a href="http://www.johnconnellypresents.com/" target="_blank">John Connelly Presents</a> in New York and <a href="http://www.anniegentilsgallery.com/" target="_blank">Gallery Annie Gentils</a> in Antwerp.</p>
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		</item>
		<item>
		<title>Pierre Bismuth</title>
		<link>https://www.dailyserving.com/2007/04/pierre-bismuth/</link>
		<comments>https://www.dailyserving.com/2007/04/pierre-bismuth/#comments</comments>
		<pubDate>Sat, 21 Apr 2007 07:00:00 +0000</pubDate>
		<dc:creator><![CDATA[Seth Curcio]]></dc:creator>
				<category><![CDATA[Conceptual]]></category>
		<category><![CDATA[Europe]]></category>
		<category><![CDATA[France]]></category>

		<guid isPermaLink="false">http://localhost:8888/?p=174</guid>
		<description><![CDATA[Currently on view at the Mary Boone Gallery in both the Fifth Avenue and Chelsea locations as well as with Team Gallery in New York are works by premiere French conceptual artist Pierre Bismuth titled &#8220;One Size Fits All.&#8221; The artist is known for his deconstruction of cultural products and reconstitution of material in which his subjects undergo to reveal the structures of mass media[.....]]]></description>
				<content:encoded><![CDATA[<p><center><img alt="Pierre-Bismuth-4-21-07.jpg" src="/wp-content/uploads/art/Pierre-Bismuth-4-21-07.jpg" width="500" height="413" border="1" /></center><br />Currently on view at the <a href="http://www.maryboonegallery.com/" target="_blank">Mary Boone Gallery</a> in both the Fifth Avenue and Chelsea locations as well as with <a href="http://www.teamgal.com/" target="_blank">Team Gallery</a> in New York are works by premiere French conceptual artist Pierre Bismuth titled &#8220;One Size Fits All.&#8221; The artist is known for his deconstruction of cultural products and reconstitution of material in which his subjects undergo to reveal the structures of mass media products, the mechanisms of visibility and systems of name recognition and context. At Mary Boone in Chelsea, the artist has taken the exhibition&#8217;s ad in <a href="http://artforum.com/" target="_blank">Artforum</a> and <a href="http://www.artinamericamagazine.com/" target="_blank">Art in America</a> and has blown up the image to a mass scale in order to have the gallery present the magazine as opposed to the normal construct of having the magazine present the gallery. Even the works of other gallery ads are presented on the back and titled &#8220;The Flip Side of My Work.&#8221; Bismuth lives and works in London and Brussels. Last year, the artist exhibited works at the <a href="http://www.smmoa.org/" target="_blank">Santa Monica Museum of Art</a> and with <a href="http://www.ernahecey.com/" target="_blank">Galerie Erna Hecey</a> and <a href="http://www.janmot.com/" target="_blank">Galerie Jan Mot</a> in Brussels. Bismuth was recently featured in &#8220;<a href="http://www.nytimes.com/2007/04/13/arts/design/13chel.html" target="_blank">Space Redefined in Chelsea</a>&#8221; in the Art Review section of <a href="http://www.nytimes.com/" target="_blank">The New York Times</a>.</p>
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		</item>
		<item>
		<title>Darina Karpov</title>
		<link>https://www.dailyserving.com/2007/01/darina-karpov/</link>
		<comments>https://www.dailyserving.com/2007/01/darina-karpov/#comments</comments>
		<pubDate>Fri, 05 Jan 2007 07:00:01 +0000</pubDate>
		<dc:creator><![CDATA[Seth Curcio]]></dc:creator>
				<category><![CDATA[Drawing]]></category>
		<category><![CDATA[Painting]]></category>
		<category><![CDATA[Europe]]></category>
		<category><![CDATA[Germany]]></category>
		<category><![CDATA[Russia]]></category>
		<category><![CDATA[watercolor]]></category>

		<guid isPermaLink="false">http://localhost:8888/?p=80</guid>
		<description><![CDATA[Artist Darina Karpov will open an exhibition titled &#8220;New Work&#8221; tonight at Pierogi Gallery in Brooklyn, N.Y. The drawings exhibited contain elements of both abstraction and figuration as forms take on multiple connotations. The organic compositions are comprised of images from art history and advertising and images archived from the artist&#8217;s life. These images are combined to create a mini-world of activity. Karpov was born[.....]]]></description>
				<content:encoded><![CDATA[<p><center><img alt="Darina-Karpov-1-5-07-02.jpg" src="/wp-content/uploads/art/Darina-Karpov-1-5-07-02.jpg" width="500" height="382" border="1" /></center></p>
<p>Artist <a href="http://www.darinakarpov.com/" target="_blank">Darina Karpov</a> will open an exhibition titled &#8220;New Work&#8221; tonight at <a href="http://www.pierogi2000.com/" target="_blank">Pierogi Gallery</a> in Brooklyn, N.Y. The drawings exhibited contain elements of both abstraction and figuration as forms take on multiple connotations. The organic compositions are comprised of images from art history and advertising and images archived from the artist&#8217;s life. These images are combined to create a mini-world of activity. Karpov was born in Saint Petersburg, Russia, and initially studied at the Academy of Fine Arts in Saint Petersburg. In 1991, the artist relocated to the U.S. to study art at the <a href="http://www.mica.edu/" target="_blank">Maryland Institute, College of Art</a> (1999), and later received her MFA from <a href="http://art.yale.edu/Home/" target="_blank">Yale University School of Art</a> (2001). Since her graduation, Karpov has shown widely in group exhibitions in Leipzig, Germany, and New York City, including <a href="http://www.aboutglamour.net/English/home.e.html" target="_blank">AG Gallery</a> in Brooklyn (2005).</p>
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