Posts Tagged ‘criticism’

Summer Reading – Has the Internet Changed Art Criticism? On Service Criticism and a Possible Future

(L-R) Christopher Knight, Ryan Schreiber, Isaac Fitzgerald and Orit Gat. (Superscript 2015. Photographer: Gene Pittman. Courtesy the Walker Art Center, Minneapolis)

Today we continue our Summer Reading series with a provocative essay on “service criticism” by author Orit Gat. She offers, “It may be discouraging to close on an optimistic note that basically means, ‘You’re gonna have to pull out your credit card/sign in with your Paypal/Apple Pay/whatever digital wallet we’ll all be using use at some point in order to get the kind of criticism[…..]

Summer Reading – Finding Value in a Flattened Field

Anna Gray + Ryan Wilson Paulsen. 100 Posterworks, 2009–2013; printed poster; 11 x 17 in. Courtesy of the Artists.

Today for our Summer Reading series we bring you Patricia Maloney’s recent op-ed from our partners at Art Practical. The author notes, “The commitment to paying contributors must be acknowledged as only the most visible link in a long chain of interlocking, concrete exchanges distributed throughout the ecosystem. Paying a writer or artist is not a unidirectional transaction; it is part of a public health policy.” This[…..]

Summer Reading – In Conversation: Peter Schjeldahl

Phong Bui. Portrait of Peter Schjeldahl, n.d.; Pencil on paper.

Today from our friends at the Brooklyn Rail, we bring you Jarrett Earnest’s conversation with famed art critic Peter Schjeldahl. This interview is perfect for our Summer Reading series because it digs deep into what it means to contemplate and respond to contemporary art; Schjeldahl says, “Looking at art is like, ‘Here are the answers. What were the questions?’” This article was originally published on July 13, 2015. In[…..]

Help Desk: Put the Artist First

Rachel Reupke. Still from Letter of Complaint, 2015; color video, 10 min.

Help Desk is an arts-advice column that demystifies practices for artists, writers, curators, collectors, patrons, and the general public. Submit your questions anonymously here. All submissions become the property of Daily Serving. In the role of writer and curator, I find myself playing bureaucratic middle man between artists and the public, or artists and institutions. But, where it comes to performing the role well, which comes procedurally first—the artist[…..]