Curated by Dr. Andrea Andersson, Adam Pendleton: Becoming Imperceptible is the most extensive museum presentation of the artist’s work to date—a significant triumph for a cultural institution located in New Orleans, one of the most racially and politically fraught cities in the southern United States. While the exhibition’s rich display resonates with the variety of material and conceptual strategies at work in Pendleton’s oeuvre, it[…..]

James Hoff: B=R=I=C=K=I=N=G is the first solo museum exhibition of the artist’s “virus paintings”—works shaped and mediated by Hoff’s engagement with digital technology and computer viruses as opposed to brush or paint. Functioning as a series of études to contemporary computer code, these paintings flirt consciously with the provocative gestures and meta-questions of conceptual art and the heavy visual language and history of abstraction. Shaped[…..]