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	<title>DAILY SERVING &#187; Bard College</title>
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		<title>Alejandro Diaz</title>
		<link>https://www.dailyserving.com/2009/10/alejandro-diaz/</link>
		<comments>https://www.dailyserving.com/2009/10/alejandro-diaz/#comments</comments>
		<pubDate>Fri, 30 Oct 2009 05:00:14 +0000</pubDate>
		<dc:creator><![CDATA[Rebekah Drysdale]]></dc:creator>
				<category><![CDATA[Installation]]></category>
		<category><![CDATA[Sculpture]]></category>
		<category><![CDATA[Bard College]]></category>
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		<category><![CDATA[New York City]]></category>

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		<description><![CDATA[The Happy Lion is currently presenting The World&#8217;s Largest Cardboard Sign and Other New Works, a solo show of language-related works, including sculpture, neon and installation, by New York-based artist Alejandro Diaz.  The centerpiece of the exhibition, The World&#8217;s Largest Cardboard Sign, 2009, is 10 feet tall, 12 feet wide, and weighs 200 pounds.  Diaz elevates the self-referential sign to art object through the use[.....]]]></description>
				<content:encoded><![CDATA[<p><img class="aligncenter size-medium wp-image-1333" title="alejandro diaz1" src="/wp-content/uploads/2009/10/alejandro-diaz1-600x400.jpg" alt="alejandro diaz1" width="600" height="400" /></p>
<p><a href="http://www.thehappylion.com/" target="_blank">The Happy Lion</a> is currently presenting <em>The World&#8217;s Largest Cardboard Sign and Other New Works</em>, a solo show of language-related works, including sculpture, neon and installation, by New York-based artist <a href="http://www.marygoldman.com/artists/view/23" target="_blank">Alejandro Diaz</a>.  The centerpiece of the exhibition, <em>The World&#8217;s Largest Cardboard Sign</em>, 2009, is 10 feet tall, 12 feet wide, and weighs 200 pounds.  Diaz elevates the self-referential sign to art object through the use of postmodern humor, while simultaneously poking fun at American culture, where bigger ALWAYS equals better.  In his text-based pieces, Diaz uses incisive wit to critique cultural stereotypes, socio-political economies, and the world of contemporary art.</p>
<p>Another work included in the exhibition, a neon sign reading Marfa 1,600 miles, mocks the art world insider by referencing the tiny Texan town, a sought-after contemporary art destination in the middle of the desert.  Diaz began the cardboard sign series in 2003 and later started to incorporate neon, vinyl, and fabric.  Other signs read<em> In the Future Everyone will be famous for $15.00</em> and <em>By Disappointment Only</em>.</p>
<p><img class="aligncenter size-medium wp-image-1334" title="alejandro diaz install" src="/wp-content/uploads/2009/10/alejandro-diaz-install-600x400.jpg" alt="alejandro diaz install" width="600" height="400" /></p>
<p>The artist received his B.F.A from the <a href="http://www.utexas.edu/" target="_blank">University of Texas at Austin</a> and his M.F.A. from the <a href="http://www.bard.edu/ccs/" target="_blank">Center for Curatorial Studies at Bard College</a> in New York.  In 2005, <a href="http://www.publicartfund.org/" target="_blank">New York&#8217;s Public Art Fund</a> commissioned Diaz to create four large sculptures for the Grand Concourse in the Bronx, resulting in the installation <a href="http://publicartfund.org/pafweb/projects/05/diaz/diaz-05.html" target="_blank"><em>A Can for All Seasons</em></a>.  He was included in the<a href="http://www.jerseycitymuseum.org/" target="_blank"> Jersey City Museum</a>&#8216;s 2005 group exhibition, <em>The Superfly Effect</em>, which was <a href="http://query.nytimes.com/gst/fullpage.html?res=9E05E0DC103BF935A35751C0A9639C8B63" target="_blank">reviewed by The New York Times</a>.</p>
<p><em>The World&#8217;s Largest Cardboard Sign and Other New Works</em> will remain at The Happy Lion until November 24, 2009.</p>
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