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	<title>DAILY SERVING &#187; Alex Soth</title>
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		<title>Alec Soth: Songbook at Fraenkel Gallery</title>
		<link>https://www.dailyserving.com/2015/03/alec-soth-songbook-at-fraenkel-gallery/</link>
		<comments>https://www.dailyserving.com/2015/03/alec-soth-songbook-at-fraenkel-gallery/#comments</comments>
		<pubDate>Fri, 27 Mar 2015 07:00:01 +0000</pubDate>
		<dc:creator><![CDATA[admin]]></dc:creator>
				<category><![CDATA[Articles]]></category>
		<category><![CDATA[Photography]]></category>
		<category><![CDATA[Reviews]]></category>
		<category><![CDATA[Alex Soth]]></category>
		<category><![CDATA[Art Practical]]></category>
		<category><![CDATA[Danica Willard Sachs]]></category>
		<category><![CDATA[San Francisco]]></category>

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		<description><![CDATA[Today we bring you a review of Alec Soth: Songbook at Fraenkel Gallery in San Francisco. Writing for Art Practical, author Danica Willard Sachs notes that &#8220;The project marks a departure from [Soth&#8217;s] usual reliance on narrative annotations to explain his images; it’s a more free-flowing, less didactic viewing experience.&#8221; This article was originally published on March 26, 2015. In twenty-one black-and-white pigment prints from the larger photobook Songbook,[.....]]]></description>
				<content:encoded><![CDATA[<p><em>Today we bring you a review of </em>Alec Soth: Songbook<em> at Fraenkel Gallery in San Francisco. Writing for </em><a href="http://www.artpractical.com">Art Practical</a><em>, author <a href="http://www.artpractical.com/archive/contributor/danica-willard-sachs/">Danica Willard Sachs</a> notes that &#8220;The project marks a departure from [Soth&#8217;s] usual reliance on narrative annotations to explain his images; it’s a more free-flowing, less didactic viewing experience.&#8221; This article was originally published on March 26, 2015.</em></p>
<div id="attachment_47565" style="width: 610px" class="wp-caption aligncenter"><img class="size-medium wp-image-47565" src="/wp-content/uploads/2015/03/Willard_Sachs_-_Alec_Soth_2-600x450.jpg" alt="Alec Soth. Bree, Liberty Cheer All-Stars, Corsicana, Texas, 2012; pigment print; 39 x 52 in. Courtesy of Fraenkel Gallery, San Francisco. © Alec Soth." width="600" height="450" /><p class="wp-caption-text">Alec Soth. Bree, Liberty Cheer All-Stars, Corsicana, Texas, 2012; pigment print; 39 x 52 in. Courtesy of Fraenkel Gallery, San Francisco. © Alec Soth.</p></div>
<p>In twenty-one black-and-white pigment prints from the larger photobook <em>Songbook</em>, Alec Soth presents at <a href="http://fraenkelgallery.com/">Fraenkel Gallery</a> a vision of contemporary American community life tinged with melancholy and wry humor. Between 2012 and 2014, Soth played the role of a minor newspaper photographer, traveling the United States to document community meetings, dances, pageants, and festivals for his self-published newspaper <em>The LBM Dispatch</em>(distributed through the website of his independent publishing house, the Little Brown Mushroom) and also while on occasional assignment for the <em>New York Times</em>. Like Robert Frank’s effort <em>The Americans</em>, first published in 1958, Soth’s depiction of American life revels in the space between sincerity and satire. The artist offers little more than a location in each image title, and yet the cumulative result is a feeling of Americanness in photographs that were taken anywhere and everywhere from Kissimmee, Florida, to Redwood City, California.</p>
<p><a href="http://www.artpractical.com/review/alec-soth-songbook/">Read the full article here.</a></p>
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