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	<title>DAILY SERVING &#187; @</title>
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		<title>@ MoMA</title>
		<link>https://www.dailyserving.com/2010/03/moma/</link>
		<comments>https://www.dailyserving.com/2010/03/moma/#comments</comments>
		<pubDate>Sat, 27 Mar 2010 07:00:13 +0000</pubDate>
		<dc:creator><![CDATA[Allison Gibson]]></dc:creator>
				<category><![CDATA[Conceptual]]></category>
		<category><![CDATA[Design]]></category>
		<category><![CDATA[@]]></category>
		<category><![CDATA[MoMA]]></category>

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		<description><![CDATA[Days ago, the Museum of Modern Art&#8216;s Department of Architecture and Design announced their acquisition of a new work into the collection. The piece is one that we of the age of email and Twitter know well&#8212;the @ symbol. Since the announcement, the Internet has been abuzz with the news, mostly because its implications reach far beyond the art and design world. It&#8217;s so familiar[.....]]]></description>
				<content:encoded><![CDATA[<div id="attachment_4032" style="width: 610px" class="wp-caption aligncenter"><a rel="attachment wp-att-4032" href="/2010/03/moma/ray-tomilson-2/"><img class="size-full wp-image-4032" src="/wp-content/uploads/2010/03/Ray-Tomilson1.jpg" alt="" width="600" height="600" /></a><p class="wp-caption-text">Ray Tomlinson. @. 1971. Here displayed in ITC American Typewriter Medium, the closest approximation to the character used by a Model 33 Teletype in the early 1970s. Courtesy MoMA.</p></div>
<p>Days ago, the <a id="w9f." title="Museum of Modern Art" href="http://www.moma.org/">Museum of Modern Art</a>&#8216;s <a href="http://www.moma.org/explore/collection/architecture_design" target="_blank">Department of Architecture and Design</a> announced  their acquisition of a new work into the collection. The piece is one  that we of the age of email and Twitter know well&#8212;the @ symbol. Since the announcement, the Internet has been abuzz with the news, mostly  because its implications reach far beyond the art and design world. It&#8217;s so familiar to us all. It&#8217;s either momentous or silly,  depending on your personal view, but it can&#8217;t be denied that the  acquisition marks a poignant point in the history of art, in that &#8220;It  relies on the assumption that physical possession of an object as a  requirement for an acquisition is no longer necessary,&#8221; as was stated by  MoMA Department of Architecture and Design Senior Curator, Paola  Antonelli, in her <a id="g6-2" title="essay on the matter of the acquisition" href="http://www.moma.org/explore/inside_out/2010/03/22/at-moma/">essay on the  matter of the acquisition</a> published on March 22, 2010 by MoMA.</p>
<p>In  her essay, Antonelli explains the history of the @, and how it came to  be valued as a piece important enough for the permanent collection at  MoMA. Though the symbol &#8220;dates back to the sixth or seventh century,&#8221;  it&#8217;s Ray Tomilson&#8212;creator of the first email system in 1971&#8212;who  elevated it &#8220;to [be a] defining symbol of the computer age,&#8221; according to  Antonelli. She goes on to defend the symbol as a design, saying,  &#8220;Tomlinson performed a powerful act of design that not only forever  changed the @ sign’s significance and function, but which also has  become an important part of our identity in relationship and  communication with others,&#8221; and that &#8220;His (unintended) role as a designer  must be acknowledged and celebrated by the one collection—MoMA’s—that  has always celebrated elegance, economy, intellectual transparency, and a  sense of the possible future directions that are embedded in the arts  of our time, the essence of modern.&#8221;</p>
<p>What do you think about the  acquisition? You can always comment below, email us at  info<strong>@</strong>dailyserving.com, or let us know on Twitter: <strong>@</strong>DAILYSERVING. (Get  it? Basically you can&#8217;t escape the symbol, which is now a precious work  of art. Something to consider when crafting your responses.)</p>
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