Street Art / Public Art

Swoon at the ICA, Boston

I am as free as nature first made man, Ere the base laws of servitude began, When wild in woods the noble savage ran. – John Dryden, The Conquest of Granada, 1672 At this point, everyone knows that street artists leave completely unexpected artworks that don’t last long but that are often more absorbing than the works we usually get to see in museums. Because[…..]

Recovering Site and Mind: Richard Serra’s Sequence Arrives at Stanford

Landmarks of the Cantor Arts Center do little to orient the participant walking through Richard Serra’s “Sequence,” on loan from the Fisher Art Foundation. Photos: Saul Rosenfield, © 2011, with permission of Cantor Arts Center at Stanford University

The Cantor Arts Center at Stanford University is engaged in a dangerous experiment, and it is not the levitation of a twenty-ton piece of Richard Serra’s steel sculpture, Sequence, 2006, thirty feet into the air. Nor is it the gyration of a 200-foot tall crane lifting the first of twelve panels—each almost thirteen-feet high and between thirty- and forty-feet long—from a flatbed trailer onto a[…..]

Go to Hell Moamar: Benghazi’s Aesthetic Insurrection

A man sits in front of a cartoon graffiti depicting Libyan leader Muammar Gaddafi in Benghazi

#Hashtags: Viral Thoughts on Politics, Arts, and Culture In honor of last weekend’s events in Libya, DailyServing kicks off our newest series, #Hashtags, with an article by writer and editor Matthew Harrison Tedford on street art and politics.  #Hashtags provides a platform for longer reconsiderations of artworks and art practices outside of the review format and in new contexts.  Please send queries and/or ideas for[…..]

The Greatest Disappearing Act

Today’s article is brought to us from our friends at Flavorwire, where Caroline Stanley discusses the greatest disappearing act, the art of Liu Bolin. Beijing-based artist Liu Bolin is the master of blending in with the world around him — no matter what the environment. Which is ironic, considering as he explained to The Daily Mail last year, “The inspiration behind my work was a[…..]

Open Engagement: Art + Social Practice

Last week the Open Engagement Conference gathered artists, critics, curators and one museum director to discuss an emergent field, Art and Social Practice. It was organized by Portland State University’s Art and Social Practice faculty Jen Delos Reyes and Harrell Fletcher along with their MFA students. This is the third iteration of the conference and it featured Julie Ault, Fritz Haeg, and Pablo Helguera – all[…..]

Looking at Music 3.0 at the Museum of Modern Art, New York

Where were you when the Music Television Channel was first introduced in 1981? I was seven years old and had a babysitter who, in her early twenties, was the coolest person I had ever met. I would follow her around just in the hopes that this perceived “coolness” would somehow rub off on me. It was through her that I was exposed, for the first time,[…..]

Manifest.AR at the ICA, Boston

This spring, the Manifest.AR collective is presenting new and established augmented reality (AR) artworks at the ICA during the 2011 Boston Cyberarts festival. Approximately 16 artists will present their incorporeal digital art in and around the ICA. Some will be site-specific works that respond to the architecture of the museum and some will aim to juxtapose their work against the existing physical exhibitions in the[…..]