Reviews

Sturtevant: Leaps Jumps and Bumps at Serpentine Gallery

Sturtevant. Sex Dolls, 2011; installation view, Sturtevant: Leaps Jumps and Bumps, 2013; Courtesy Serpentine Gallery, London. Photo: Jerry Hardman-Jones

It’s nearly impossible to talk about a show of Sturtevant’s work and have it understood. Like a book, you have to start at the beginning. The key to Sturtevant is context. In 1964’s New York City, Elaine Sturtevant sent shock waves through the art world when she started making replicas of the work of her contemporaries. For this, she received a tremendous amount of crap. The[…..]

#Hashtags: Punk Is Dead, Long Live Punk

27. Gallery View_430 Kings Road Period Room

#punk #institutions #historicity #commerce #style Is the Metropolitan Museum of Art’s Punk: Chaos to Couture the death knell of punk as a social and cultural movement? Certainly, the Met’s assertion that the locus of punk’s importance is in its influence on high fashion would indicate that it is no longer relevant to these larger concerns. The A-list attendees at May’s opening gala were decidedly mainstream[…..]

Parkett: 220 Artist Editions and Collaborations since 1984 at Taipei Fine Art Museum

Parkett: 220 Artist Editions and Collaborations since 1984, 2013; installation view, Taipei Fine Art Museum.

Currently on view at Taipei Fine Art Museum, Parkett: 220 Artist Editions and Collaborations since 1984 is the 10th edition of international art journal Parkett’s traveling retrospective. Since its debut at the Museum of Modern Art in 2001, the exhibition has toured across the globe via a network of museums spaces including London’s Whitechapel Art Gallery, Singapore’s Tyler Institute, and Beijing’s Ullens Center of Contemporary Art.[…..]

Just Yell at Monique Meloche Gallery

Cheryl Pope. Remember to Remember, 2013; Metal, glass casing, light, brass name plates. 36 x 47 x 2.5 inches. moniquemeloche, Chicago. Photo: James Prinz.

Cheryl Pope’s Just Yell seeks to bring attention to differing experiences of Chicago’s epidemic of youth violence, and Monique Meloche Gallery provides an excellent site for the project. The gallery is located on Division Street, where the divide between Chicago’s neighborhoods is clearly illustrated. The tides of millennial capital have twice swept through Bucktown, raising rents and evacuating families until reaching a high-water mark three[…..]

Beyond Belief: 100 Years of the Spiritual in Modern Art at Contemporary Jewish Museum

Nam June Paik, TV Buddha

In an era when organized religion is losing its hold on the industrialized world, it may seem strange that curators would want to reengage with spirituality when considering Western Modernism of the past one hundred years. Stranger still that a museum focused on exploring the contemporary shape of Jewish life would take an interest in exhibiting work by practicing Buddhists, Muslims, Christians, and New Age[…..]

James Turrell: Twilight Epiphany Skyspace

James Turrell,

Shotgun Reviews are an open forum to which we invite the international art community to contribute timely, short format responses (250–400 words) to an exhibition or event. If you are interested in submitting a Shotgun Review, please follow this link for more information. In this Shotgun Review, Colin L. Fernandes, M.D, reviews James Turrell’s Twilight Epiphany Skyspace at Rice University.  I followed the stone path through the manicured lawns of Rice[…..]

Shih Chieh Huang at Yerba Buena Center for the Arts

Shih Chieh Huang. Synthetic Seduction, 2013; installation view, Yerba Buena Center for the Arts, San Francisco. Courtesy of the Yerba Buena Center for the Arts. Photo: Dorothy Santos.

The flickering, multicolored lights of Shih Chieh Huang’s installation Synthetic Seduction, now on view at the Yerba Buena Center for the Arts, reminds me of the cellular and molecular models found in biology classrooms. When I was a student, one of the ways in which I learned about organic forms was by placing mitochondria, lysosomes, and nuclei in their correct locations in these models. Huang[…..]