Reviews

The Return to Reason at Gallery Wendi Norris

Stephen Gill. Talking to Ants, 2009–12; pigment archival paper print, image 40 x 40 in., paper 44 x 44 in., edition of 5 plus 2 AP. Courtesy of the Artist and Gallery Wendi Norris, San Francisco.

Today from our partners at Art Practical, we bring you a review of the current group show at Gallery Wendi Norris in San Francisco. Author Danica Willard Sachs writes: “In a moment when the commonplace assumption is that photographs are digitally manipulated, the exhibition shines in its success at reminding viewers that wonder can still be found in the analog realm of the darkroom, or[…..]

Justin Mortimer: Sevastopol at Future Perfect

Justin Mortimer. Jabalya, 2014; oil on canvas; 50 x 70 cm (detail). Photo: courtesy of the Artist and Future Perfect Asia, Singapore.

Annexed by Russia in 1782 during the reign of Catherine the Great, Sevastopol became an important naval base to the Russian Black Sea Fleet only to fall decades later to allied British, French, and Turkish troops during the Crimean War (1853–56) after a long, protracted siege that lasted eleven months. During the existence of the Soviet Union, the famous fortress city was transferred to the Ukrainian[…..]

From the Archives – Archive State at the Museum of Contemporary Photography, Columbia College

Akram Zaatari, Dance to the End of Love, 2011; four-channel video installation; 22 mins. Installation view at MUSAC. Courtesy the artist and Sfeir-Semler Gallery, Hamburg/Beirut.

Today from our archives, we bring you a (re)consideration of an exhibition about archives. Author Liz Glass analyzes the work that was on view at the Museum of Contemporary Photography in 2014 and notes, “By re-presenting these events from recent history through […] fragmentary views, the exhibition reaffirms the tension between the body politic and the individual body, while posturing toward a way of writing history that is aggregate, collective,[…..]

Jean Conner: Collages at Gallery Paule Anglim

Jean Conner. Untitled (Mother Daughter), 1980; paper collage; 13½ x 9¾ in. Courtesy of the Artist and Gallery Paule Anglim.

Today from our partners at Art Practical, we bring you a review of Jean Conner’s collages at Gallery Paule Anglim in San Francisco. Catch this show if you can! Author Genevieve Quick calls the artist’s work “strongly provocative” and notes, “[Conner’s] confidence and skill in selection, placement, and juxtaposition… create surprising amounts of visual play, leading to strong formal compositions and intriguing ideas.” This article[…..]

Tomi Ungerer: All in One at the Drawing Center

2.	Tomi Ungerer. Untitled (drawing for The Party), 1966; ink and ink wash on paper;
18 x 18 in. Courtesy of the Collection Musée Tomi Ungerer – Centre
international de l’Illustration, Strasbourg. Photo: Musées de la Ville de Strasbourg/Mathieu Bertola.

Tomi Ungerer: All in One, now on view at the Drawing Center, is a joyful retrospective of the artist’s career as children’s-book author, satirical cartoonist, political illustrator, and erotic artist. Sadly it’s also incredibly timely. Because though Ungerer was a beloved illustrator, he was also rejected for the explicit imagery in his political and erotic work. As we engage in a global conversation about shock[…..]

From the Archives – Sarah Lucas: SITUATION Absolute Beach Man Rubble at Whitechapel Gallery

Sarah Lucas. Installation view, 2013 Courtesy Whitechapel Gallery, London, Photo: Stephen White

Here at Daily Serving, we’re excited that Sarah Lucas will represent the UK at the 2015 Venice Biennale. Gregor Muir, a member of the selection panel, was quoted in a recent article, saying, “Having consistently pushed the limits of her practice, there’s a sense that Lucas—seemingly more active than ever—is coming into her own.” We couldn’t agree more, and so today from our archives we’re sharing[…..]

From the Archives – Paul Thek: If you don’t like this book you don’t like me

Spread from Paul Thek notebook #63, 1974; Courtesy Watermill Center Collection and Alexander and Bonin, New York; Photograph © Estate of George Paul Thek; Photograph Jörg Lohse

In consideration of the second day of the Los Angeles Art Book Fair, today we bring you a look back at a 2012 exhibition of Paul Thek’s books. Author Magdalen Chua describes the artist’s notebooks as filled with, “illustrations, drawings, and watercolor works [that] suggest a mind filled with both doubt and idealism.” This article was originally published on May 16, 2012. As part of the Glasgow International Festival of[…..]