Reviews

Noam Rappaport: Dogleg at Ratio 3

Noam Rappaport. Dogleg, 2015; oil, acrylic, high-density foam, paper, canvas; 90 x 55 in. Courtesy of the Artist and Ratio 3, San Francisco.

Shotgun Reviews are an open forum where we invite the international art community to contribute timely, short-format responses to an exhibition or event. If you are interested in submitting a Shotgun Review, please click this link for more information. In this Shotgun Review, Justin Mata reviews Noam Rappaport: Dogleg at Ratio 3 in San Francisco. Noam Rappaport’s artwork exists in a continuum of modernist object-making, a growing history of formal exploration.[…..]

John Outterbridge: Rag Man at Art + Practice

John Outterbridge. Case in Point, c. 1970 (from the Rag Man Series); mixed media; 12 x 12 x 24 inches. Collection of the Hammer Museum. Photo: Andrew Zermeño.

In the South Central Los Angeles neighborhood of Leimert Park, an art and social movement is gaining steam. Art + Practice is a community outreach and education center as well as a gallery in partnership with UCLA’s Hammer Museum. Founded by artist Mark Bradford, philanthropist Eileen Harris Norton, and social activist Allan Di Castro, Art + Practice aims to educate and prepare disadvantaged foster youth[…..]

Salt/Water at the Photographic Center Northwest

Daniel Hawkins. Union Bay #5, 2013; C-print; 8 x 10 inches. Courtesy of the Artist.

Salt and water: an amalgamation of fundamental, life-sustaining compounds that evokes the sea, sweaty human excretions, and the makings of primordial soup. Independently innocuous, it is the combination of salt and water that produces something transformative—a substance potentially electric and corrosive. It is the coming together of salt and water that sparked the concept for Salt/Water, an exhibition of contemporary photography on view at the[…..]

David Ireland at Walter and McBean Galleries

David Ireland. David Ireland, 2016; installation view, Walter and McBean Galleries, San Francisco Art Institute. Courtesy of San Francisco Art Institute. Photo: Gregory Goode.

Wry humor, mystery, and entropy: Today from our partners at Art Practical, we bring you Danica Willard Sachs’ review of David Ireland’s work at the Walter and McBean Galleries at the San Francisco Art Institute. The author notes, “Throughout, Ireland draws our attention repeatedly to the material conditions of each object, the where and how of every action, rooting them in real time and space.” This article was[…..]

Terra Incognita at Art@Archer

Brian Lucas. Seventh Sense, 2015; mixed media on canvas; 36 x24 in. Courtesy of the Artist and Art@Archer, Oakland. Photo: Garrett Caples.

Shotgun Reviews are an open forum where we invite the international art community to contribute timely, short-format responses to an exhibition or event. If you are interested in submitting a Shotgun Review, please click this link for more information. In this Shotgun Review, Garrett Caples reviews Terra Incognita at Art@Archer in Oakland. In Terra Incognita at Art@Archer, Derek Fenner, Ava Koohbor, and Brian Lucas—who exhibited together last year at now-defunct Emerald[…..]

Know Yourself at the Luminary

Conrad Bakker. The Crystal Land, 2014 (detail); Oil on carved wood panels; 24 ft. x 20 in. Courtesy of The Luminary.

Currently at the Luminary, Know Yourself is a group exhibition that features the artists Conrad Bakker, Chris Bradley, Marianne Laury, Eva and Franco Mattes, Edra Soto, and Julia Weist. The exhibition shares its title with a Drake song in which the rapper looks back on his life, claiming his authenticity and lineage among other artists. He expounds, “I’ve always been me, I guess I know[…..]

Kota Ezawa: Gardner Museum Revisited at Christopher Grimes Gallery

Kota Ezawa. Gardner Museum Revisited, installation view, 2016. Courtesy of the artist and Christopher Grimes Gallery.

In 2013, Kota Ezawa once gave a presentation at the California College of the Arts about a man in Japan. As he explained it, Ezawa saw a man talking on CNN, with the name of “Kota Ezawa” printed in the bumper graphic at the bottom of the screen. This onscreen Ezawa was a scientist, and as Ezawa watched the interview, he became intrigued. The name[…..]