Currently on view at Gagosian Gallery in Rome is eight new works by internationally acclaimed photographer Cindy Sherman. For this body of work, the artist continues to serve as her own model, transforming herself into a variety of personalities and exploring a myriad of identities. For her current series, Sherman is investigating the wealthy middle-aged American woman who is at her social prime. Wealth and[…..]

Los Angeles-based photographer, American Photo’s Images the Year Competition in 2007. Anthony was born and raised in Stockholm and has exhibited with the Corey Helford Gallery in Los Angeles, and the

Hammer Museum. Curated by CalArts–he was privy to the school’s infamous conceptualist think-tank days–Johnson has spent his career merging postmodern headiness with cartoon humor and colliding highbrow with lowbrow. His lighthearted, yet still confrontational, photographs flip the photographic on its head. They don’t even resemble photographs; they resemble drawings or prints, a fact that reflects Johnson’s irreverent process (he scans found imagery and drawings and[…..]

While contemporary technology has brought forth droves of artists and amateurs alike using digital means to create a photograph, Cassandra C Jones explores digital media without adding to a world over saturated with images. In her current solo show titled Send Me a Link, with Baer Ridgway Exhibitions in San Francisco, Jones recycles images found through internet research and recontextualizes them through still and animated[…..]

In celebration of DailyServing.com’s recent move to San Francisco, CA, we have decided to dedicate this week to art-based happenings is the Bay Area. If you are a Bay Area gallery, artist, or curator, please be in touch. We would love to hear from you. Currently on view at Gregory Lind Gallery is an exhibition of new photographs titled Reincarnation Blues by New York-based artist[…..]

Scott McFarland‘s photo series, A Cultivated View, now exhibiting at the National Gallery of Canada, documents sculpted Vancouver gardens. The images, as carefully controlled as the gardens they depict, are strangely insidious. Unlike the nature photographers and National Geographic features he mimics, McFarland makes landscaped spaces seem absurd, like deceitfully calm settings for Wes Anderson films. Sponsored by the Canadian Museum of Contemporary Photography (CMCP),[…..]