Opening today at the Museum of Contemporary African Diasporan Art (MoCADA) in Brooklyn is the group exhibition, The Gentrification of Brooklyn: The Pink Elephant Speaks. Before it had even officially opened, the show generated a fair amount of controversy. It seems to have created a Brooklyn—and Internet—divided. The exhibition was guest curated by Brooklyn native, Dexter Wimberly, and features 20 artists working in various mediums[…..]
Bortolami Gallery in New York City is currently featuring works by London based artist Peter Peri. Peri’s show, which includes drawings, sculptures, and paintings, revolves around three figurative themes: head, seated man, and reclining woman. Although Peri uses these themes in each medium, his execution in each material is startlingly different. The level of obsession and detail in the fine drawings which are created through[…..]
At this year’s SCOPE Miami Contemporary Art Show, duo Bruno Levy and Blake Shaw present Sweat Shoppe, their multimedia performance group. Situated in an open and inviting space outside of the booth environment, the Sweat Shoppe’s interactive installation space hosts local bands, DJs and live performances each day of the SCOPE Miami Art Show – combining art, music and technology in an innovative and accessible[…..]
In its last week at Boots Contemporary Arts Space in St.Louis is the exhibition The 7th Annual Midwestern Assorted Produce Snuff Shorts Film Triennial. The group show consists of video and performance works by the artists Benjamin Bellas, Clinton King, Noelle Mason, Magdalen Wong, Justin Cooper and Ross Moreno, whom often collaborate under the curatorial moniker “i.e.” The videos on display range from Noelle Mason’s[…..]
I Like Thanksgiving and Thanksgiving Likes Me is the title of a photograph produced by the Seattle-based artist group SuttonBeresCuller. Created in 2001, the photo playfully riffs on Joseph Beuys‘ famous performance from 1974 titled, I Like America and America Likes me. SuttonBeresCuller also has a new exhibition on view at Lawrimore Project in Seattle through December 19th. Happy Thanksgiving from DailyServing!
On view until January 3, 2010 the Contemporary Art Museum St. Louis presents its most ambitious group show since its grand opening six years ago. Curated by Anthony Huberman, For the blind man in the dark room looking for the black cat that isn’t there starts with the premise that art is not a code that needs cracking. Celebrating the experience of not-knowing and unlearning,[…..]
After six years of operation, the artist-run Crawl Space Gallery in Seattle has decided to close its doors and end their impressive programming of exhibitions, residencies, public forums, publications, and experimental projects. The gallery is currently presenting Stranger Circumstances as their final exhibition. The show features Crawl Space artist in residency, Massimo Guerrera as well as artists Alana Riley, Ron Tran with performances during the[…..]
