Painting

Nomadic and Luminous: Ranu Mukherjee at Frey Norris

What happens at the moment when energy becomes material, and how can we even dream of documenting it? The question has wide-ranging implications, from the memories stored in everyday objects to the effects of prayer. Ranu Mukherjee’s solo exhibition at Frey Norris Contemporary and Modern, Absorption Into the Nomadic and Luminous, takes up these issues. A former painter who now works mostly with photography and[…..]

Oh No You Ditten! Los Angeles invades SoHo

greaterla1-600x400

Is this a throwdown? It’s tempting to think so, since the title, Greater LA, is obviously a riff on the seminal P.S.1 survey Greater New York, and is installed in the same type of beat-up SoHo loft where major New York art history went down in the 1960s and ‘70s. But don’t get too excited. Any sense of bi-coastal competition erodes  quickly when you realize[…..]

Fan Mail: Jason Gringler

For this edition of Fan Mail, Jason Gringler has been selected from a group of worthy submissions. If you would like to be considered, please submit to info@dailyserving.com a link to your website with ‘Fan Mail’ in the subject line. Two artists are featured each month—the next one could be you! Upon first glance, the large-scale works of Canadian-born, New York-based artist Jason Gringler may[…..]

Ulla von Brandenburg

‘Neue Alte Welt’ (New Old World), an exhibition of Ulla von Brandenburg’s recent works, is on view at The Common Guild, Glasgow till 21 May 2011. Presented across two levels, the exhibition proceeds as a journey where one seems to travel from the perspective of an audience and performer, before entering the backstage. The first room features Chorspiel, a black and white film set in[…..]

Little Left to Lose

L.A. Expanded: Notes from the West Coast A weekly column by Catherine Wagley Sunday night, before we knew for certain Osama bin Laden had died, I was listening to the radio and reading an essay by Kamin Mohammadi. Called Lust, Devotion & the Binary Code (titles that rely on the power of threes—consider “Opera, Homosexuality, and the Mystery of Desire” or “Sex, Art, and Americn[…..]

First-Person Reality: I Am Not Free Because I Can be Exploded Anytime

The year is 1999. Television has adapted to the more violent nature of man. Sterling Ruby‘s solo show at Sprueth Magers drops you into a space reminiscent of the real world, but reflected through an alternate lens. The main room feels overwhelming in scale, full of over-sized and crudely modeled ceramic sculptures, towering red dripping sculptures that look like some sort of giant animal’s tendons[…..]

The Hat, That Never Existed: Christoph Roßner at Romer Young

The paintings of Dresden-based Christoph Roßner have the power of a waking dream.  As opposed to our regular, logically- and visually-tangled dreams, the visions we have right before we fall asleep – or even in the middle of the day – tend to focus on single objects:  things recognizable but out of reach, comforting but not quite tangible.  Slow and atmospheric, they demand time and[…..]