With its chaotic visual imagery, Agathe Snow’s All Access World feels like Berlin. There are a ton of brightly colored images posted on the walls covering the entire room. In the middle, is an array of what could be small parade floats, approximations of internationally recognized monuments, sometimes crudely made out of a mish-mash of materials. The floor is covered partially with a bright pink[…..]

Mike Kelley claims he doesn’t particularly like Superman. The jury is out on whether or not this qualifies him as a communist, but his claim does provide a source of perplexity when evaluating the inspiration for his ongoing Kandor sculpture and installation series – the newest of which being currently displayed at Gagosian Gallery (Beverly Hills) alongside the latest chapters of his filmic project, Extracurricular[…..]

It’s par for the course for blue-chip galleries to mount so-called “museum quality” exhibitions, and hardly a surprise when they coincide with auctions and estate holdings. Readykeulous: The Hurtful Healer: The Correspondance Issue at INVISIBLE-EXPORTS is just as historically potent without being market driven. Founded in 2005 by artists Nicole Eisenman and A. L. Steiner, Ridykeulous has gained consistent momentum, and this is their strongest[…..]

There is nothing that the art world loves more than four days of non-stop money spending and networking. The Miami art fairs are quick to come and go, but this week DailyServing will track some of the highs and lows of this year’s spectacle. DailyServing writers John Pyper, Benjamin Bellas and Rebekah Drysdale weigh in on the more noteworthy works exhibited this year. We continue[…..]

There is nothing that the art world loves more than four days of non-stop money spending and networking. The Miami art fairs are quick to come and go, but this week DailyServing will track some of the highs and lows of this year’s spectacle. DailyServing writers John Pyper, Benjamin Bellas and Rebekah Drysdale weigh in on the more noteworthy works exhibited this year. We continue[…..]

Installation view: HOUSE, 2010. Courtesy of Regen Projects, Los Angeles. It feels like a thousand years, though I know it’s only been about five minutes. Feet balancing atop five-inch heels on the loose gravel floor, my ankles quiver unsteadily as I clench every muscle in my legs to avoid toppling into Jeffrey Deitch’s back. This misstep would surely initiate a domino-like collapse of the well-coiffed[…..]

Move: Choreographing You is an exhibition at Hayward Gallery, London from 13 October 2010 to 9 January 2011 which explores the interaction between contemporary art and dance. The experiments between visual artists such as Robert Morris and Robert Rauschenberg and dancers from Yvonne Rainer to Merce Cunningham in New York in the 1960s led to the insertion of bodily forms and movements into the visual[…..]