Mixed Media

“NOW! THAT’S WHAT I CALL ART”: NYC 1993 at the New Museum

Pepon Osorio, "The Scene of the Crime (Whose Crime?)," [Detail] 1993. Mixed medium installation.

NYC 1993: Experimental Jet Set, Trash and No Star is the New Museum’s crash course in the recent history of contemporary art in New York. The exhibition positions 1993 as a signifier for mass cultural change: the thesis being that the events of this year irrevocably directed culture towards its manifestation in 2013. NYC 1993 seems just as concerned, however, with the ways that we[…..]

SEE/SAW :Collective Practice in China Now

Today, we are excited to bring you coverage of SEE/SAW: Collective Practice in China Now at The Ullens Center for Contemporary Art (UCCA) in Beijing, from our partner ArtSpy, a website based in Beijing, P.R.China that is committed to establishing a platform for global artistic information. This article has been translated from Chinese to English. SEE/SAW :Collective Practice in China Now was an exhibition held at Ullens Center[…..]

Hidden In Plain Sight

Artist Jeremy Bolen brought back a lot of pictures from his trip to Geneva, Switzerland last year, which are currently on view at Andrew Rafacz Gallery in Chicago. Bolen’s one-man show titled CERN, features conceptual photography that is driven by unique processes of exposing film, processes which point toward challenging questions about the veracity of art. The Geneva photos aren’t exactly your standard images of a bucolic European countryside,[…..]

Llyn Foulkes at the Hammer Museum

For both Walt Disney and Llyn Foulkes, it all started with a mouse. Mickey, to be precise, accompanied both men throughout their respective careers—Disney in a manner of lucrative iconography, and Foulkes in a manner of psychological distress. To most, the cartoon rodent was the paragon of jubilant youth, but through Foulkes’ lens, Mickey was a sanitized, furtive representative of the rats infesting the politics,[…..]

Fabricators: Blurring the Insider/ Outsider Boundary

There have been many times when I have felt uneasy looking at group shows of “Outsider Art”. There can be some crowds, and lots of things for sale, and a lot of people buying them, but mostly what can cause apprehension as a viewer is the wild range in the work. Often there is no thematic or formal thread that could tie all of these[…..]

From Miami: Selections from the Miami Art Fairs

Driving to Miami in a car, through scrub trees, pines and high water along the highway, I feel like I’ve come to the end of America. Here we are for the 2012 Miami Art Fairs, a city-wide, four day long event comprised countless art fairs, exhibitions, and unofficial events. Arriving in a city that I’ve never visited, my first night is spent in orientation. I’ve done[…..]

Kate MccGwire: Glamorous Bait for a Merciless Trap

What sort of cold-blooded beast is this? Measuring ten meters long and towering overhead, a muscled, thick mass covered in iridescent black feathers swirls around itself and then dives into itself. Snaking out of the wall as if from a hell-like sewer, Gyre twists with the writhing energy of a sex-drunk lover. Seductive and nightmarish, intricately beautiful and somehow dangerous, the massive sculpture captures the[…..]