L.A. Expanded: Notes from the West Coast A weekly column by Catherine Wagley I wrote the below in 2008, for a design blog, D/visible, that has since gone into hibernation. But I’ve been thinking about the same ideas this week — essence and monumentality — and wanted to revisit. “It may have escaped your attention,” says Elizabeth Costello, the title character in a 2003 novel[…..]
The Palm Island riot and its aftermath are the focus of Indigenous artist Vernon Ah Kee’s latest exhibition Tall Man, held in conjunction with the Melbourne International Arts Festival and Gertrude Contemporary. Comprising three segments – a video installation, a portrait and text – the series is an examination of the ongoing cruelty and official indifference toward the Aboriginal Community in Australia. In 2004, indigenous[…..]
For this edition of Fan Mail, Chicago-based artist Matthew Wooward has been selected from a group of worthy submissions. If you would like to be considered, please submit to info@dailyserving.com a link to your website with ‘Fan Mail’ in the subject line. Two artists are featured each month—the next one could be you! “Architecture in the United States” was one of the most memorable courses I[…..]
A biblical parable tells of a wayward son who leaves home for a distant land after demanding his inheritance from his father. Squandering his riches quickly, he repentantly returns to his father’s house hoping to be hired as one of his father’s servants but find instead, his father’s unexpected kindness and forgiveness. Christine Ay Tjoe’s current site-specific show The Famous One from Lucas # I[…..]
At the entrance to the gallery’s first level of Ingrid Calame‘s solo exhibition at The Fruitmarket Gallery in Edinburgh, the pale green enamel of sspspss…UM biddle BOP appear like forceful strokes and splatters that drip down the wall, unfolding across the ground. Though emerging as paintings with energetic and abstract shapes, Calame’s works evolve from a painstaking process that originates from the representation of cracks[…..]
David Hockney included himself among the iPad’s expectant lovers. Since 2008 he’s used the application Brushes to draw on his iPhone—but what he can do with the app on the oversized model, oh. He can draw with multiple fingers and recently a stylus. His show Me Draw on iPad is exhibiting until August 28th at Louisiana Museum of Modern Art, outside of Copenhagen, Denmark. 20[…..]
“People don’t like to read art.” It’s the sort of self-deprecating, tongue in cheek, slightly hipster-ish title you’d expect from a show featuring just such a group of young artists. “We acknowledge not everyone will enjoy this text+art stuff. And we don’t care, because we say it’s important.” But taken a bit less literally, as I had initially interpreted the title, it gets at the[…..]
