On our final day of our latest week-long series, Summer of Utopia, DailyServing discusses the utopian ideals embedded in the building a new city and the economy attached to it. By delving into the work of Solomon Graves, we can take a look at preservation and lost information, truth and fiction and where utopia ends and reality begins. The wilderness and wetlands that would later[…..]
At six o’clock on Saturday evening in SoHo, Kathy Grayson and Meghan Coleman made public their intent to fill the hole that Jeffrey Deitch‘s trans-continental career move created in the world of New York art, which is no small undertaking. The two former directors of Deitch Projects opened a much anticipated new space at 104 Greene Street, aptly titled The Hole. The inaugural exhibition, Not[…..]
A myth is a foundational narrative that may be based in truth or fiction but either way it tells a story of who we are. Thus self-consciousness is constructed by a shared narrative and helps us to give shape and even name our identity. If we think of identity in the usual terms of religion or nationalism, some examples of these mythological narratives include the[…..]
Opening Thursday, May 6th, We have as much time as it takes is the final thesis exhibition of the Curatorial Practice program at California College of the Arts in San Francisco. The following interview was conducted for the exhibition catalog between curators Nicole Cromartie and Courtney Dailey and two members of Red76. It is the first in a series of interviews to be published at[…..]
The self-proclaimed “most important survey of contemporary art in the world ever” opened this week in at 350 West Broadway in SoHo, New York. The Brucennial 2010 edition, titled “Miseducation,” is presented in a 5,000 square foot space temporarily donated by the real-estate mogul and art collector Aby Rosen and supposedly “brings together 420 artists from 911 countries working in 666 discrete disciplines.” But who’s[…..]
Now showing through April 25th at The Blanton Museum of Art at The University of Texas at Austin is the group exhibition Desire. Curated by Annette DiMeo Carlozzi, Blanton curator of American and contemporary art and director of curatorial affairs, Desire features fifty works from an international grouping of contemporary artists working in a variety of media. The concept of the exhibition is to present[…..]
With the title “Size Does Matter” for his debut show as a curator, one has to wonder if Shaquille O’Neal is talking about the size of one’s wallet, connections, ego, or one’s preference to bra size. With the opening of the show at Chelsea’s FLAG Art Foundation the famous basketball player, actor, and rapper can now add “art curator” to his ever-expanding resume of[…..]
