In the 2-story installation space comprising about 50 works at the Singapore Art Museum, Tags & Treats is a mid-career retrospective of Singaporean contemporary artist Vincent Leow’s artistic practice that spans almost 3 decades. Traditional genres of sculpture and painting play no small part in Leow’s early works which at once question and reaffirm institutional pressures, social change and identity. A palette of vivid colours[…..]
Rise of Rebellion: DailyServing’s latest week-long series Today, Bean Gilsdorf looks at some of the artists that have broken the art world’s mold in her latest article Rebellion, Four Ways, as a continuation of our week-long series Rise of Rebellion. Not long ago I had a conversation with a fellow artist. “I’m thirty years old,” she said, “and I’ve never really rebelled.” We talked about[…..]
Rise of Rebellion: DailyServing’s latest week-long series On the heels of our week-long themed series 7 Days of Myth and Summer of Utopia, DailyServing is proud to bring you a collection of writings that explore the use of rebellion in contemporary art in this week’s series Rise of Rebellion. In this latest week-long series, our writers will explore the ways in which contemporary artists are[…..]
Babak Golkar is a multi-disciplinary artist whose practice, at its fundamental roots, takes aim to deconstruct, recontextualize and rearrange our perceptions of the world around us. Like Zen koans, Golkar’s work seems to arrive at new understandings by setting up impossible questions. At it’s core is a spirit of unbridled philosophical investigation; one that exhibits a Duchampian twist on the visual pun mixed with a[…..]
Colin Quashie’s recently completed mural, entitled Service, focuses on the intricacy of interactions between art and politics in a complex, expressive artwork commissioned by the University of North Carolina’s School of Government. Noted as a controversial artist, Quashie, based in Charleston, South Carolina, undertook the completion of this project sustained by the patronage of the Local Government Federal Credit Union. The painting commemorates the contributions[…..]
Cai Guo-Qiang began experimenting with the properties of gunpowder in his drawings in the 1980s. He used gunpowder of various grades and forms and exploded it on paper, leaving burnt and smoky charcoal-stained residue marks behind. Born out of his desire to subject his practice to the dynamic elements, Cai’s work expresses how beauty and violence are often intertwined. Much of this experimentation has lead[…..]
There are very few artists today who willingly take a direct political position in their work. Often artists neglect how powerful artwork can be as an instigator for social and political change. In many ways art and politics, or art and activism, have gone hand in hand throughout history, helping to over come social injustice. But, just as often, artwork has acted as a tool[…..]
