For this edition of Fan Mail, Adam Void of North Carolina has been selected from our worthy reader submissions. Two artists are featured each month—the next one could be you! If you would like to be considered, please submit your website link to info@dailyserving.com with ‘Fan Mail’ in the subject line. The tape fourtrack brought multi-tracking into the bedroom studio and accessing the tools for making okay-sounding[…..]
This summer San Francisco has not one but two gallery exhibitions that explore the legacy of punk and post-punk. Wall of Sound, at Steven Wolf Fine Arts, presents artworks by seminal figures of the late-1970s music scene (including Monte Cazazza, V. Vale, and Exene Cervenka), and I’m So Goth – I’m Dead! at Queen’s Nails Projects features mostly contemporary pieces that deal with the “Gothic[…..]
L.A. Expanded: Notes from the West Coast A weekly column by Catherine Wagley David Batchelor, in his exquisite little pink book Chromophobia, describes a white he encountered on the walls of the home of an “Anglo-American art collector” he visited in the 1990s. He wrote, “There is a kind of white that repels everything that is inferior to it, and this is that kind of[…..]
We are thrilled to bring you a review of MadeIn Company’s recent exhibition in Shanghai from our brand new partner ArtSpy, a website based in Beijing, P.R.China that is committed to establish a global artistic information platform. This article was originally written for ArtSpy and has been translated exclusively for DailyServing. At the Shanghai Taopu Art District in May 2012, MadeIn Company presented a series[…..]
Yoko says…make a wish Yoko says…cut Yoko says…step on the painting Yoko says…smile What ever Yoko says, one must do. It’s an irresistible game. A walk through Yoko Ono’s exhibition, ‘To the Light…’ at the Serpentine Gallery in the heart of London’s Hyde Park, is very much an extension of the park itself. Play and wander and, moreover, do what Yoko says. Simple and surreal,[…..]
#Hashtags provides a platform for longer reconsiderations of artworks and art practices outside of the review format and in new contexts. Please send queries and/or ideas for future columns to hashtags@dailyserving.com. It was miraculous to me, only because I had never seen the space behind the doors. Yet, it was shameful, as if I had seen something I ought not to have seen and, worse, had[…..]
The collection of works by Paul Cowan, Brendan Fowler, Chadwick Rantanen, and Dan Rees at Shane Campbell Gallery add up to an exhibition that is greater than the sum of its individual parts. In his own way, each artist imbues an existing object and/or the space of the gallery with low-key but engaging creative intention. This makes for a surprisingly cohesive exhibition despite the fact[…..]
