Articles

Happy Thanksgiving!

Mappa, 1989
Embroidery
46 3/4 x 86 3/4 inches (118.7 x 220.3 cm)

Here at Daily Serving, we’re thankful for you—our fantastic community of writers, editors, and readers—and for the labor of arts workers around the world who enrich our lives every day. And while we celebrate, we’ll also be thinking of the arbitrariness of national borders, and of people who move toward a better life and are greeted with compassion and hospitality.

In the Dressing Room with Coco Fusco, August 19, 2015

Coco Fusco. Observations of Predation in Humans: A Lecture by Dr. Zira, Animal Psychologist, 2013 (still); performance. Courtesy of Walker Art Center. Photo: Gene Pittman.

Today from our partners at Art Practical, we bring you In the Dressing Room with Coco Fusco by Patricia Maloney and Moira Roth. In it, Coco Fusco takes us behind the scenes of her performance as Dr. Zira, the animal psychologist from Planet of the Apes, at Yerba Buena’s Radical Presence exhibition. As she removes her monkey costume backstage, Fusco opens up about performance and uniforms, economic violence, and[…..]

Pope.L: Desert at Steve Turner and Pope.L: Forest at Susanne Vielmetter Los Angeles Projects

Pope.L. Forest, installation view, Susanne Vielmetter Los Angeles Projects, 2015. Courtesy of the artist. © Pope.L

Pope.L returns to Los Angeles, after his MOCA exhibition William Pope.L: Trinket this past summer, with a two-part, two-gallery, map-sprawling, time-spanning show—Desert at Steve Turner in Hollywood and Forest at Susanne Vielmetter Los Angeles Projects in Culver City—connected by a downloadable GPS driving tour. Samuel Beckett, whose influence appeared in Trinket, returns again in the GPS guide’s insistently jolted repetitive language, “this thing this thing this thing[…..]

Help Desk: The Snarky Remarker

Jos de Gruyter and Harald Thys. Die schmutzigen Puppen von Pommern, 2014; installation view, Micheline Szwajcer Gallery, Antwerp.

Help Desk is an arts-advice column that demystifies practices for artists, writers, curators, collectors, patrons, and the general public. Submit your questions anonymously here. All submissions become the property of Daily Serving. I’m an artist and I live and work in [a small city]. There’s a woman who is relatively new to our small scene, and she doesn’t seem to like me, but I don’t know[…..]

Interview with Sterling Wells

Sterling Wells. Broken Window, 2015; installation view, Metropolitan Structures, Baltimore, MD.

From our friends at BmoreArt, today we bring you an interview with artist Sterling Wells. Although the exhibition discussed took place in July at Metropolitan Structures, author Jan Razauskas notes “…the ideas within the work, as well as the new existence of the gallery, are relevant and worthy of consideration.” This article was originally published on October 17, 2015. Well above the tree line, inside[…..]

Leif Anderson: TATTARRATTAT at Melanie Flood Projects

Leif Anderson. Purple Slurry, 2015; installation view, TATTARRATTAT, 2015. Courtesy of the artist and Melanie Flood Projects. Photo: Worksighted.

The word “Tattarrattat” was first birthed in James Joyce’s 1922 novel, Ulysses. It’s the longest palindromic word in English literature and an unmistakable onomatopoeia that takes inalienable form only in a moment we can collectively imagine: a furious rapping at the door. Such phrases within Joyce’s Ulysses and Finnegans Wake make him a legend amongst Modernist writers who are trepidatious about inventing words where none[…..]

Raiders and Empires

Stephanie Syjuco. Empire/Other: Morphset E, 2013 (video still); 3D animated video. Courtesy of the Artist and FLACC Workplace for Visual Artists, Belgium.

In these projects Syjuco harnesses technologies of distribution and reproduction—the web, photography, and 3D scanning and printing—to create objects that reveal the tangled history of colonization and cultural hybridization.