Articles

Help Desk: Getting Paid for Curatorial Work

Kerry James Marshall. Portrait of a Curator (In Memory of Beryl Wright), 2009; acrylic on PVC, 30 7/8 x 24 7/8 x 1 7/8 in.

Help Desk is where I answer your queries about making, exhibiting, finding, marketing, buying, selling–or any other activity related to contemporary art. Submit your questions anonymously here. All submissions become the property of Daily Serving. I’m a professional curator with over a decade of experience, mostly as a salaried professional. I’d like to be doing more freelance curatorial work, but curators seem to either get paid nothing, absurdly little, or astronomical sums.[…..]

From the Archives – Weaving, Not Cloth: Mark Bradford at SFMOMA

Mark Bradford, Potable Water, 2005; billboard paper, photomechanical reproductions, acrylic gel medium, and additional mixed media; 130 x 196 inches; collection of Hunter Gray; © Mark Bradford; photo: Bruce M. White

We always like to see artist Mark Bradford’s name pop up in the press. Of course, there’s the fantastic news that Bradford will be representing the U.S. in this year’s Venice Biennale, in addition to last week’s cheekily delivered critique of art auctions (while onsite at Christie’s). Today, we’re republishing Bean Gilsdorf’s meditations on the tactility of Bradford’s work in relation to textiles. This article[…..]

Ghazel: Mea Culpa at Carbon 12

Today, from our friends at REORIENT, we bring you a review of Ghazel’s latest solo exhibition, Mea Culpa, on view at Carbon 12 in Dubai through May 9. Author Sayantan Mukhopadhyay says of the artist, “Her interventions—which start with materials and symbols inherently laden with meaning—speak about the itinerant lives in a manner that is refreshing when placed in conversation with the many other contemporaneous works[…..]

Robert Mapplethorpe: The Perfect Medium at the Getty and LACMA

Robert Mapplethorpe. 
Joe, N.Y.C., 1978 (from The X Portfolio);
selenium toned gelatin silver print mounted on black board; image: 7 11/16 × 7 11/16 in. Jointly acquired by the J. Paul Getty Trust and the Los Angeles County Museum of Art; partial gift of The Robert Mapplethorpe Foundation; partial purchase with funds provided by the J. Paul Getty Trust and the David Geffen Foundation, 2011.9.41.6 © Robert Mapplethorpe Foundation

Robert Mapplethorpe is forever associated with scandals that erupted at the Corcoran Gallery of Art and the Contemporary Art Center Cincinnati, as well as the crippling drawdown of federal funding that rendered the National Endowment for the Arts a casualty of the late-1980s culture wars. More recently, Mapplethorpe, or the foundation that bears his name, made headlines with two significant acquisitions made by the J.[…..]

A Feast of Astonishments: Charlotte Moorman and the Avant-Garde, 1960s–1980s at the Block Museum of Art

The Pablo Casals mask used by Charlotte Moorman in the performance of Jim McWilliams’s C. Moorman in Drag, 1973. Courtesy of Charlotte Moorman Archive, Northwestern University Library.

The Juilliard-trained musician and performance artist Charlotte Moorman, the so-called topless cellist, never shied away from the spotlight. In addition, as a monographic exhibition at Northwestern University’s Mary and Leigh Block Museum of Art demonstrates, Moorman’s work as a cunning and forceful impresario contributed significantly to the international visibility of New York’s burgeoning avant-garde music scene beginning in the ’60s. A Feast of Astonishments: Charlotte[…..]

Interview with Sarah Rara

Sarah Rara is a Los Angeles–based artist who works with video, film, photography, and performance. She is also a contributing member of the band Lucky Dragons. Rara was most recently an artist in residence at Headlands Center for the Arts, where she worked on a new video, Broken Solar, and a libretto for a new opera, Neglected Treaty, that considers the sonic impacts of climate change[…..]

Kasper Bosmans: Motif (Oil and Silver) at Marc Foxx

Kasper Bosmans. Columna Rostrata, 2016; 1914 print, wood plexiglass, chain; 48 x 5 x 2 in. Courtesy of the Artist and Marc Foxx Gallery.

Up-and-coming Belgian artist Kasper Bosmans continues his interest in symbology with Motif (Oil and Silver) at Marc Foxx. His paintings and sculptures investigate rostral columns, whales, Roman shipping vessels, coinage, and Coco Chanel, among other seemingly unconnected imagery. About a dozen works, tastefully arranged, point to linkages both literal and figurative. The first series of paintings, Coco, Chain (She Loves Pink, Juicy Details, Guava Jelly,[…..]