Articles

Letter from the Editor

Romare Bearden. The Block II, 1972;
collage of various papers with foil, paint, ink, graphite, and surface abrasion on seventeen fiberboard and plywood panels.
© Romare Bearden Foundation

Last week, Deadline reported that the New York Times discontinued regional coverage of the arts. Significantly, in her August 6 column, NYT Public Editor Liz Spayd asked, “Why should a newsroom that just announced lofty international ambitions spend resources covering news of no interest to readers in Beijing and London?” Below the surface of this question lies the implication that cultural events happening in smaller[…..]

Happy Labor Day!

Ramiro Gomez. No Splash (after David
Hockney’s A Bigger
Splash, 1967), 2013.
Acrylic on canvas
96 x 96 inches.
Courtesy of the artist and Charlie James Gallery, Los Angeles. Photo: Osceola Refetoff.

Today is Labor Day in the United States, a day “dedicated to the social and economic achievements of American workers.” In honor of the day, we present you with links for further reading: More than a dozen articles on labor, artistic services, precarity, working for free, and related subjects are included in Art Practical’s Issue 5.4: Valuing Labor in the Arts Labor Arts ”presents powerful images[…..]

Summer Session – How to Make It: 10 Rules for Success From Art Curators

RoseLee Goldberg and Performa board member Todd Bishop at Relâche, 2012. Image via Paula Court and the original posting.

For our Back to School Summer Session, we’ve taken a look at education, pedagogy, and learning in the arts from a broad perspective, including work informed by school or schools of thought, investigations into the current state of academia, and resources for those interested in either self-directed or formal education. Today for our final installment we bring you an excerpt from an article by Cedar Pasori at Complex, who asked[…..]

Summer Session – What’s Your Time Management Personality?

Charles Ray. Clock Man, 1978; wood, paint, human body; 30 x 30 x 54 in. Courtesy of the Artist.

This Summer Session our topic is Back to School, and in addition to exploring how art and education intersect, we are also providing resources that might be useful for artists working in the academy or for those interested in self-directed learning. Today we bring you an article by Lauren Zander from the Freelancers Union, whose time-management profiles give readers an opportunity to evaluate their personal relationships to[…..]

Summer Session – 50 Ways to Take Care of Yourself in the Arts

Diane Borsato. Sleeping with Cake, 1999; discrete performance and photographs. Montréal, Canada. Courtesy of the Artist.

For our final Summer Session we’re going Back to School, and in addition to examining how pedagogy, learning, and the arts intersect, we are also providing how-tos and resources for artists practicing within education. Today we bring you an excerpt from an article by Madeleine Dore that focuses on ways to practice self-care as an artist, an oft-overlooked but critically important function. While these tips are[…..]

Summer Session – Help Desk: Back to School

Barry McGee, Untitled #29, 2002. Paint (mixed media) on wood panels, 96 x 144 inches

Our topic this Summer Session is Back to School, and today we bring you an article from our arts-advice column Help Desk about that very thing. Here, Bean Gilsdorf outlines her best advice for getting the most out of an arts program, particularly as an undergraduate, and how to jump-start personal development as an artist, whether you practice as a student, professionally, or independently. This[…..]

Summer Session – Can You Make Your Own MFA?

Sarah Hunter's logo for her experimental Summer Forum.

For our Back to School Summer Session, we’re taking a look at education, pedagogy, and learning in the arts from all angles—be it through work informed by school or schools of thought, investigations into the current state of academia, or resources for those interested in either self-directed or formal education. Today we bring you an article by Shannon Stratton from our friends at Temporary Art Review that seriously considers[…..]