As part of our ongoing partnership with Beautiful/Decay we bring you the painted photographs of Claire Falkenberg. Falkenberg, who lives in Brooklyn, exhibited her work in a solo show entitled Threshold at Katharine Mulherin Contemporary Art Projects in Toronto earlier this year. The article was written by Larissa Erin Greer and originally published on May 23, 2013. With a toxic mix of oil-based paint, the[…..]
In honor of Daily Serving’s roots, today we feature two articles written by the website’s founding father, Seth Curcio. The second article featured below is on a show that he assembled and curated at Redux Contemporary Arts Center in Charleston, SC. The group show included artist Daniel Gordon who is now represented by M+B Gallery and whose first solo show in L.A. The Green Line opened yesterday evening.[…..]
As a part of our ongoing partnership with Art Practical, today we bring you Leigh Markopoulos‘s review of the recent Painting Expanded Symposium at the California College of the Arts in San Francisco. The one-day symposium was held on April 13, 2013 and included presentations and panel discussions with ten internationally-known artists from around the United States. On Saturday, April 13, 2013, ten artists representing[…..]
For this edition of Fan Mail, Kyle Austin Dunn of Sausalito, California has been selected from our worthy reader submissions. Two artists are featured each month—the next one could be you! If you would like to be considered, please submit your website link to info@dailyserving.com with ‘Fan Mail’ in the subject line. Some of Kyle Austin Dunn’s artworks look sugary and delicious with factory-made colors.[…..]
Caitlin Cunningham’s current solo exhibition is on view at sophiajacob in Baltimore, Maryland, through May 25th. The show, informally titled Tan Penis Island, extends from a focused critique of the legacy of modernist painter Paul Gauguin’s exploitation of Tahiti to examine the ramifications of fantastic projection, the economy of colonization, and the production of white masculinity through the exotic Other. Cunningham integrates live plants and[…..]
A dominant feature of contemporary Asian art has always been the reflection of cultural and historical frameworks within which such works are produced: firmly entrenched in tradition, yet forward-looking thanks to the far-reaching changes – and homogenisation – brought about by the formidable impact of globalisation. Even though artistic production in South Korea seems to follow this trend, it is problematised by the emergence of[…..]
Help Desk is an arts-advice column that demystifies practices for artists, writers, curators, collectors, patrons, and the general public. Submit your questions anonymously here. All submissions become the property of Daily Serving. I’ve been meeting with a commercial gallery in my city for some time, and they’ve extended me an offer to come aboard. I’m excited about the idea of professional representation, having a platform to[…..]
