Articles

Help Desk: Curating Like A Fool

VALIE EXPORT. Die un-endliche/ -ähnliche Melodie der Stränge (The un-ending/ -ique melody of cords), 1998; video installation on 10 monitors; installation view, Bilder der Berührung (Images of Contingence), 2013. Photo by Eric Tschernow.

Help Desk is an arts-advice column that demystifies practices for artists, writers, curators, collectors, patrons, and the general public. Submit your questions anonymously here. All submissions become the property of Daily Serving. Help Desk is cosponsored by KQED.org. I’m an artist and art writer and would like to complete the trifecta by seriously trying to curate. However, since I’ve only been on the curated side of[…..]

Fandom

Today From the DS Archives we bring you a piece written by Catherine Wagley from her L.A. Expanded column, which was published between 2010-2012. Like many great pieces suitable for a Sunday read (and like most all from her column) Fandom collages recognizable subjects, like the relationship between Tennessee Williams and Elizabeth Taylor, with new artists, like Justin Lowe. This article was originally published on July 6, 2012[…..]

Fan Mail: Yukihiro Kaneuchi

For this edition of Fan Mail, Yukihiro Kaneuchi of Tokyo, Japan has been selected from our worthy reader submissions. Two artists are featured each month—the next one could be you! If you would like to be considered, please submit your website link to info@dailyserving.com with ‘Fan Mail’ in the subject line. Born in 1984, Yukihiro Kaneuchi grew up in Fukuoka, on the north shore of Kyushu, the[…..]

#Hashtags: The Quantum Leap to Something New, Part I

In the face of economic fluctuations, not to mention the whirlwind of popular taste, how do galleries survive, adapt, evolve, and thrive? The popular perception of the contemporary art gallery is one of inaccessibility and elitism.  By and large, the gallery’s reputation is one of isolated sanctity, an entity that sustains itself through a preserved set of conventions and a closed system of values. The[…..]

Help Desk: The Social Disease

Today From the DS Archives we bring you a piece written by Daily Serving’s new managing editor, Bean Gilsdorf, from her weekly column “Help Desk.” Although only eight months old, the subject matter of her entry “The Social Disease” is still fresh. Featured in the article is work by artist Justin Kemp whose collaborative group Jogging  has a new exhibition “Soon” at the Still House in[…..]

Help Desk: Death & Taxes (Mostly Taxes)

Llyn Foulkes, Who's on Third?, 1971-73. Oil on canvas, 48 x 39 inches

Help Desk is an arts-advice column that demystifies practices for artists, writers, curators, collectors, patrons, and the general public. Submit your questions anonymously here. All submissions become the property of Daily Serving. I have recently been the lucky recipient of an unprecedented amount of small, but not insubstantial, payments. Some are for arts writing and editing, others are one-time grants, art sales, and various art-world related[…..]

New Histories and Epic Tales: Better a Live Ass than a Dead Lion at Eli Ridgway Gallery

Continued from last week’s From the DS Archives, today we feature an article written by Daily Serving’s founding mother, Julie Henson. Both Henson and her husband Seth Curcio have been the directors of Daily Serving from its beginning, while working and maintaining their own artistic careers. Henson just finished her part of a new exhibition at San Francisco’s Southern Exposure titled Reverse Rehearsals in which[…..]