Bringing the Monument Back to Life
Thomas Houseago’s towering figures are monuments that tackle monumentality. The gargantuan Red Man that greets me when I walk into David Kordansky Gallery seems at first threatening; it is bigger than I am, more creature than human, and monstrous in many senses of the word. It reminds me, at first glance, of a crudely crafted god, a fetishistic relic passed down from an ancient civilization,[…..]













