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Tim Lee in Conversation with Joseph del Pesco at Kadist

Today we bring you a video of artist Tim Lee in conversation with Joseph del Pesco, director of Kadist Art Foundation in San Francisco. Lee, who is based in Vancouver, discusses his thoughts and processes as he re-creates a Warhol photograph from 1980: “It’s always…how can I articulate my artistic identity through others…what are some of the dissonances and what are some of the continuities?”  

Staggering Works: Beatriz da Costa at Laguna Art Museum

Beatriz da Costa. Dying for the Other, 2011-2012; three-channel video installation, 12 minutes; presentation at Eyebeam, Art and Technology Center, New York, NY, 2011

As part of our ongoing partnership with Artillery, today we bring you author Seth Hawkins‘s report on the Laguna Art Museum’s exhibition ex·pose: Beatriz da Costa, a posthumous retrospective of the artist’s work. Only thirty-eight years old at the time of her death last year, da Costa was an artist who, in Hawkins’s words, was “brave enough, strong enough and inspired enough to allow us[…..]

Installation Art Reverses Production and Consumption Process

Ni Haifeng. Para-production, 2008-2012; textile shreds, sewing machines; work in progress, variable size

As part of our ongoing partnership with Beautiful/Decay, today we bring you the installation work of artist Ni Haifeng. For the better part of the last decade, Ni has been working with concepts of manufacturing and production, illustrating, in the words of curator and scholar Pauline J. Yao, “the symbolic systems that govern the movement of certain goods across international borders.” This article was written[…..]

Paintings That Explore Classical and Contemporary Myth

Laura Krifka. Into the Frey, 2012; oil on canvas on panel; 48 x 48 in.

As part of our ongoing partnership with Beautiful/Decay, today we bring you the paintings of Laura Krifka. Krifka lives and works in Ventura, California, and will have a solo exhibition at CB1 Gallery, in Los Angeles, in 2014. The article was written by Stacey Dacheux and originally published on August 20, 2013. Laura Krifka’s work feels both classical and contemporary—a collection of myths that transcend time,[…..]

SFMOMA Is On the Go: Five Reasons to Track It Down

As part of our ongoing partnership with KQED, today we bring you a look at how SFMOMA is continuing to produce exhibitions and events even though the museum will be closed until 2016. While there’s no denying that this is a hardship for San Francisco’s art community, it’s also an opportunity for SFMOMA to become a more flexible institution that works beyond the boundaries of[…..]

Eugene Isabey: Fishing Village at the Legion of Honor

Caption: Eugene Isabey. Fishing Village, 1854-8155; oil on canvas; 53.7 x 35.43 in. Collection of the Art Museum at the University of Kentucky. Courtesy of the Athenaeum.

Shotgun Reviews are an open forum where we invite the international art community to contribute timely, short-format responses (250–400 words) to an exhibition or event. If you are interested in submitting a Shotgun Review, please click this link for more information.  This week’s Shotgun Review was written by Irene Gerenrot, who participated in Art Practical’s March 2012 Art Smarts writing workshop for middle-school students, produced in conjunction with 826[…..]

Collages Meditate on the Female Psyche

Flore Kunst. Pise-up, n.d.; paper collage.

As part of our ongoing partnership with Beautiful/Decay, today we bring you the work of artist Flore Kunst. Kunst lives in and works in Lyon, France, and states that her collages “seem to emerge by chance.” The article was written by Stacy Dacheux and originally published on August 9, 2013. Mixing an admiration for John Baldessari with her own childhood memories of cutting/altering magazines with her mother, Flore Kunst creates captivating[…..]