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Wages for Facebook at Kadist Art Foundation

Laurel Ptak (left) and Christina Linden (right).

Last Wednesday, Kadist Art Foundation and curator Christina Linden hosted a conversation with artist Laurel Ptak, the author/founder of Wages for Facebook, a manifesto (based on the 1975 manifesto Wages Against Housework) that calls for a reconsideration of what it means to participate in a system of for-profit social exchange. To a packed house, Ptak began her talk by showing slides of publications that have printed information, opinions, and reactions to[…..]

RR&P: Repetition, Rhythm, and Pattern at Lewis Art Gallery

L to R:  Corey Escoto, Wheel of Fortune: I’d Like to Solve the Puzzle, 2010, digital prints, frames, plexiglass, 49” x 135”; Corey Escoto, House of Cards, n.d., pleximounted digital prints, wax balls, approx. 35” x 45”; Lilly Zuckerman, 6”x4.5”x3”, 4”x4”x3”, and 5”x3”x3.5”, 2012, porcelain. Courtesy of Lindsey Landfried. Photo: Lindsey Landfried.

Shotgun Reviews are an open forum where we invite the international art community to contribute timely, short-format responses to an exhibition or event. If you are interested in submitting a Shotgun Review, please click this link for more information. In this Shotgun Review, Melissa Thorson Hause reviews RR&P: Repetition, Rhythm, and Pattern at the Lewis Art Gallery at Millsaps College in Jackson, Mississippi. A century ago, avant-garde art dealer Daniel-Henry Kahnweiler asserted[…..]

Cullen Washington Jr.: The Land Before Words at 808 Gallery

Untitled #4
2013
Canvas, paper, tape, found materials
7.5 x 7

From our friends at Big Red & Shiny, today we bring you a review of Cullen Washington Jr.’s paintings at 808 Gallery at Boston University’s College of Fine Arts. Author Shawn Hill points out, “Washington has embraced the American tradition of the readymade (Duchamp) and junk art (Kienholz) in creating these paintings, which draw from the past but refer to the still-charged state of race relations and[…..]

Walter Robinson: Sic Transit Gloria Mundi at Catharine Clark Gallery

Shotgun Reviews are an open forum where we invite the international art community to contribute timely, short-format responses to an exhibition or event. If you are interested in submitting a Shotgun Review, please click this link for more information. In this Shotgun Review, Maria Porges reviews Walter Robinson: Sic Transit Gloria Mundi at Catharine Clark Gallery in San Francisco. What are we to think about an Egyptian funerary boat powered by[…..]

Lalla Essaydi: New Beauty at Jenkins Johnson Gallery

Lalla Essaydi. Bullets #5, 2009; chromogenic print; 48 x 60 in. Courtesy of the Artist and Jenkins Johnson Gallery, San Francisco.

From our sister site Art Practical, today we bring you a review of Lalla Essaydi’s photographs now on view at at Jenkins Johnson Gallery in San Francisco. Author Danica Willard Sachs notes that in Essaydi’s work, “the effect of the ceremonial fabrics and calligraphy is to flatten the women into almost abstract images that retreat into the background like furniture.” This article was originally published on February[…..]

Multiple Perspectives: New Works by Xie Xiaoze at Chambers Fine Art

Xie Xiaoze. October 19, 2007; Oil and Acrylic on Canvas, 60 x 72 in; March 16-17, 2013, I.H.T., 2013; Oil and Acrylic on Canvas; 80 x 93 in. Photo: Adam Monohon.

Shotgun Reviews are an open forum where we invite the international art community to contribute timely, short-format responses to an exhibition or event. If you are interested in submitting a Shotgun Review, please click this link for more information. In this Shotgun Review, Adam Monohon reviews Multiple Perspectives: New Works by Xie Xiaoze at Chambers Fine Art in New York City. Mass media plays an inescapable role in everyday life. The[…..]

Green Dream at kijidome

Tara Merenda Nelson (with Madge of Honor). Beautiful Secrets, episode 2, 2014; video still.

From our partners at Big Red & Shiny, today we bring you a review of Green Dream at kijidome in Boston. Author Edmond Caldwell notes, “Individually and collectively, the digital videos that comprise kijidome’s Green Dream come to no easy conclusions and issue no final statements. Instead, they leave the audience to continue the collaboration in their thoughts and discussions.” This article was originally published on February 19,[…..]