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From the Archives – Interview with Johan Grimonprez

Johan Grimonprez, still/installation view of Double Take at Sean Kelley Gallery (2009).

Opening today at the SVA Chelsea Gallery, It’s a Poor Sort of Memory That Only Works Backwards is a solo exhibition of four films by Johan Grimonprez. To accompany the beginning of this exhibition, today we bring you an interview with the artist from 2011, when he memorably said, “… every kiss is a political act.” This article was originally published on March 23, 2011. Johan[…..]

Alien She at Yerba Buena Center for the Arts

L.J. Roberts. We Couldn’t Get In. We Couldn’t Get Out., 2006–07; installation view, Alien She, 2014. Courtesy of Phocasso and Yerba Buena Center for the Arts, San Francisco.

Today from our partners at Art Practical, we bring you a review of Alien She, an exhibition that regards the impact of Riot Grrrl culture on contemporary art. Author Melissa Miller writes, “[The exhibition] presents Riot Grrrls with one voice, with a ‘we’re all in this together’ attitude. In reality, the movement was troubled by the same internal debates that other generations of feminists have[…..]

LOSTBOY: CORE at Betti Ono Gallery

LOSTBOY. Clusters, 2014; pen on paper; 26 x 19.75 in. Courtesy of the Artist and Betti Ono Gallery, Oakland.

Shotgun Reviews are an open forum where we invite the international art community to contribute timely, short-format responses to an exhibition or event. If you are interested in submitting a Shotgun Review, please click this link for more information. In this Shotgun Review, Indira Allegra reviews LOSTBOY’s solo exhibition at Betti Ono Gallery in Oakland, California. LOSTBOY’s ink-drawn organisms multiply, sometimes expressed as rhizomes across the border of[…..]

On Collecting: Building a Better Me

Aurora Crispin, A Selection of Everything, 2012; installation view, Important Projects, Oakland. Courtesy of Important Projects. Photo: Important Projects.

From our partners at Art Practical, today we bring you a look back at Christina Catherine Martinez’s essay on collections, which she calls “an arrangement of language and objects toward a social purpose… the work of fencing off some discernible patch of belonging amid the wild landscape of existence.” This article was originally published on February 6, 2014. In 2005, Aurora Crispin set out to photograph every[…..]

The Self-Portraits of Samuel Fosso

The artist as Angela Davis from African Spirits, 2008
© Samuel Fosso. Courtesy The Walther Collection and Jean Marc Patras / Galerie

From our friends at Guernica, today we bring you a feature on the self-portraits of artist Samuel Fosso. Author Emmanuel Iduma notes, “The self-portraits are intimate for what they allow to be imagined… [T]hese representations of our favorite black heroes ask viewers to think about the use of public images, and how they become objects of worship, and of control.” This article was originally published on November 17,[…..]

David Ryan at MCQ Fine Art

David Ryan. (Untitled), 2014; Sintra construction with hand painting; 8 3⁄4 x 16 1⁄2 x 1⁄4 in.

Shotgun Reviews are an open forum where we invite the international art community to contribute timely, short-format responses to an exhibition or event. If you are interested in submitting a Shotgun Review, please click this link for more information. In this Shotgun Review, Dawn-Michelle Baude reviews David Ryan’s current solo show at MCQ Fine Art in Las Vegas. David Ryan’s first solo exhibition in Las Vegas pushes into fresh terrain.[…..]

From the Archives – Fan Mail: Rachel Debuque

Rachel Debuque. Cacti-Smash (Performance and Installation), 2013; paint, wood moon cacti, gloves, plastic goggles, test tubes, knife, glass bowl, watch glasses plaster cast moon cacti, plaster cast cat sticks, cast plastic cat stick, aluminum, plastic roofing, extension cords, power strip, fake plants; 8’ x 10’ x 8’ feet. Courtesy of the artist.

As the new year begins, it’s good to have a look back at what we’ve accomplished. Today we return to where we were exactly 365 days ago to rediscover the work of Rachel Debuque, who mixes a theatrical sensibility with a “discomforting internal logic” to create her installations. This article was originally published on January 3, 2014. Rachel Debuque works with myriad subjects and forms. In her[…..]